Hand Tools

The Abraham boys and their posse are at it again and Handworks 2026 is barreling down the pike.  It will be Friday and Saturday of Labor Day weekend, in the lovely village of Amana, Iowa.  I’ll be there again close to dead center of the Festhalle, hawking my wares such as they are.  Polissoirs, beeswax and shellac wax, videos, and original c. 1765 Roubo prints, etc.

The Festhalle from Handworks 2013

It’s the most amazing tool festival of hand woodworking you will even encounter with visitors and makers from around the globe if the tradition holds.

I’m already ramping up my truckload of stuff to take with me, at the moment creating a pile on and under a workbench I will be taking and making wax processing part of almost every day from now on.

This just might be my last long road trip other than family priorities.  We just don’t have the oomph for drives like that anymore.

I love tales like this.  I knew of an instance in some southern swamp where they discovered an ancient sunken cypress trunk that was so valuable the salvage company had around-the-clock guards protecting it until they could find just the right buyer who had just the right project.  I vaguely recall it went to a developer who was going to use it in all the public spaces is a huge skyscraper somewhere.  I think the dimensions of trunk were 48+” diameter at the top and 180-plus feet long.  That’s a mighty big tree.

I’d heard the asking price was $7 million.

Many years ago back in Maryland we had a micro-burst that uprooted a number for mature tulip poplar trees, the largest of which measured 24″ in diameter at the first branch, which was at the 60-foot mark.  I was unable to find a sawyer willing to deal with it, so given the cycle of life it has now gone back to the earth.

Saint Thomas shrine

Actually, the shrine is still unfinished as the doors need to have painted images as well. 

Tresoor / dressoir for Castle Hernen

Medieval toolchest

Strycsitten

Savonarola folding chair

14th century X-chairs

Sedia tenaglia

Turned triangular stool

Sella curulis

St. Thomas / St. Joseph bench

Scapradekijn / hanging cupboard for Amsterdam Castle / Muiderslot

15th century bench

https://thomasguild.blogspot.com/2018/05/making-medieval-benches.html

Cloister X-table

https://thomasguild.blogspot.com/2016/05/upgrading-x-trestle-table-part-1.html

A two-part blogpost.

3-legged sgabello / Strozzi-chair

https://thomasguild.blogspot.com/2013/04/an-italian-sgabello.html

Painted trestle

https://thomasguild.blogspot.com/2011/08/threstle-table-quick-summer-project.html

15 century trestles

No construction blogpost.

Minnekästchen

https://thomasguild.blogspot.com/2025/11/minnekastchen.html

Lectern

No construction blogpost.

installing the hinges

I always try to do my hinging the same way. Which means chopping the hinge gains on the wider board/part first. Then repeat for the other (thinner) one.

stop and move on

A big chip out happened the first lid hinge - I super glued it and clamped it with a piece of blue painter's tape. While it set up I chopped the other hinge.

yikes

A hinge is MIA. I spent an hour searching the house retracing my steps trying to find it and nada. I almost bought another set of them from Horton Brasses. Hint - look at the far end between the vise faces. The MIA hinge was hiding there.

nice touch

Horton sends steel and brass screws with their hinges. However, I had two strikes against them already. The first is they are phillip head screws and secondly, they are too long. They aren't too long for screwing into the chest but they are for screwing into the lid.

I tried ordering some black oxide, #4 x 5/8, flat head screws and nada. In fact I was ordered a lot of screws to get above the minimum and they only had two of the 9 screws I tried to order. I ended up buying brass, flat head slotted screws off the internet. It was site I hadn't ordered from before.

no help

I had no #4 x 5/8" screws in any flavor and the #5 x 5/8" screws I had were too big for the hinge countersink. I'll have to wait for the screws to come in. 

yes they are 3/4" long

I thought of clipping/filing the screws down to 5/8" but nixed it. I'll cool my heels and wait. Once they come in I will paint the heads black.

prepping for shellac

All the woodworking is done except for attaching the back stop on the lid. The glue joint on the underside of lid wasn't flush. A few strokes with the card scraper and it was.

swagged hinges

I made both gains the thickness of the leaves which left me with this big gap. I expected that and to lower it I will trim the gains on the chest until I get a gap I like.

handle template

Drilled the holes for the handles now rather then after the shellac was done.

better looking tear out

The grain on the front at top reverses three times along the length. I skewed a #3 and got most of it to look presentable. I followed that up with a card scraper. I didn't get it all but enough. I stopped because I didn't want a hollow in the front between the chest and the lid.

sneaking up on it

The gap I wanted needed about a 16th to go bye bye. Used the router plane to sneak up on that - took me 3 plane and checks before I got there.

almost there

I was slowly reducing the gap but I didn't like this one - still too wide.

done

Trying to avoid the lid becoming hinge bound. That would require adding shims to the gains which was the opposite direction I was going in. I'm happy with this one. The lid is laying flat on the front edge and the angle from the back to the front is a frog hair off 90°. (It sill may get sucked down some when I screw the hinges in place too.)

first coat of shellac

I like watching the first coat of shellac pop this cherry. I can't wait to see what it looks like with 5 or more coats slapped on it.

last of the woodworking

I had 3 coats on the underside of the lid and set the back stop in place. I used a couple drops of super glue along the length to hold it in place while I screwed it off.

last one

Five screws and a few drops of super glue secure the back stop. All the woodworking is done. The oohs and aahs will commence after the last coat of shellac is on.

easy oops fix

I forgot to remove my center line pencil mark on the back edge. Shellac is very forgiving with something like this. Card scraped the pencil mark and put shellac on this and it disappeared like it was never there.

3 coats on

Got four coats on the underside of the lid. Next batter up is marrying the chest to the base. Then I'll attach the cove moldings and finish applying shellac to the chest and lid. I should be snapping glamour pics on tuesday (for Wednesday's blog post?).

couldn't get it to flow

The cathedral grain doesn't flow around the chest in one direction. I tried to do it but it wouldn't work out. I wanted the sapwood on the outside of the chest and couldn't get the cathedrals to cooperate. 

next project

Most of these scraps of cherry have been hanging out on the tablesaw and they have to go. I think I have enough here to make a small table/bench/plant stand. 

leg stock

The two bigger ones are too big for this project. The thinner one is 1 1/2" square and I think that fits better with the overall scale of what I intend to make. I'll start on it after the chest is done.

I found something that will turn brass black - Birchwood Casey Brass Black Metal Finish. Heating brass doesn't turn it blue/black but this will. Coming from Amazon tomorrow.

accidental woodworker

next day AM session

I checked the base for rocking and immediately was annoyed. The top was rocking a teeny bit and the bottom twice as much. Spent my first ten minutes getting the top and bottom to be rock free again.

new bearers

Didn't have any cherry so I used pine. They are snug fitting and dry - no nails or glue. Before I commit to this I wanted to make sure it is going to work.

first fit was good

The bearers felt snug and they held the weight of the chest on them. No rocking which put a happy face on me. Took the chest out and put it back in again and it was rocking.

not rocking

Checked the chest but it was still laying flat on the tablesaw. I was getting the heebie jeebies about this base and chest ever getting married.

a happy sigh

The far left corner is down - that was why it was rocking again. Evened the bearers out and checked the chest and no rocking.

baby steps

The plan was to nail the bearers on, no glue, and checked the chest for rocking. 

oh what a relief

Bearers nailed on and the chest is dead flat on them - zero rocking.

hmm.......

Leaving the nails in the bearers. I didn't want to risk pulling them off, applying glue, and then nailing them back on. 

screwed the bearers

I added screws to the bearers one at time. After screwing one on I checked that the chest still wasn't rocking. Got them all screwed off and the final check of the chest still had no rocking. Much joy and dancing in the streets of Mudville commenced and lasted for hours.

cleaning up the base

There were a lot of shallow tear out spots that the sandpaper wasn't removing. I had to use a card scraper to finally remove them. I used a #3 only to flush the pins/tails at the end. I didn't want to risk tear out planing the entire length of the sides.

shellac and black dye

Trying this to see how it will look on the cove molding I dyed yesterday.

not black enough

This is the back side of the molding that I didn't dye. I guess I was looking more for this to be a deep black like it was paint.

the dyed side

I don't like this look at all. I thought some of the red oak would peek through but it isn't. This molding doesn't look like wood to me.

from ACE

I  had to make a grocery store run and ACE is in the same parking lot. $10 for a pint can of cherry dye.

cleaning up the chest

This took a lot of time and a ton of calories. Used the #3 to flush the tails/pins on the corners and sanded the chest after that was done.

hmm........

The middle one was dyed on the bare wood. The other two I put a seal coat of shellac first before applying the dye. The middle one is dark but not as splotchy as the top and bottom ones are. They are also lighter. The cherry dye IMO doesn't look like cherry. I think I like the red oak dye was a better match for cherry. Regardless I am going with the cherry dye as is for the cove molding. It will be a contrast between it and the chest cherry.

it worked

Made a template for the handles and tested it on a piece of scrap pine.

back stop

Rounded over the top edge on the front and back to soften it. Got the hinges laid out and stopped here for the day. My wrist was hurting probably from the  RO sander work I did. I'll get the hinges done in the AM. After that is done I can attach the back stop to the lid.

accidental woodworker 

For the last eight years, Hannah has worked alongside Paul as his mentee. As we move, she has cleared her things from the workshop, but there are two pieces she has no room for and would much rather see go to someone who will love them than put into storage. Paul offered to share them here.

For the background to the move, and for the workbenches Paul is also letting go, see his post here.

Both pieces are entirely hand made, using hand tools for around 98% of the work.

Craftsman-style rocking chair in oak, £300

Hannah's Craftsman-style rocking chair in oak. She is asking £300, though Paul reckons it is worth at least double that.

Sofa table, £300

A sofa table of Hannah's own original design, again beautifully made. It really has to be worth £2,000, but with no space to keep it she would rather you grabbed a bargain at £300.

How to buy a piece

I have four hand-made workbenches that have served their purpose, and they need to find new homes in the next few days. Over the years I have given away a dozen benches, along with tools and equipment, to organisations supporting people with different abilities and disabilities and with other health and wellbeing needs. Those were the benches from my hands-on classes. Like the airlines, though, I can only carry so much excess baggage, and these four must now go.

Here is what is available.

The two "video" benches, £300 each

Two of these are the benches I built to film the bench-building series in my garage workshop (they were both built at this time, but we don't recall which one was actually built on camera), so they carry a little fame with them. Both are little used, and both have excellent, barely-worn Eclipse 9" quick-release vises fully installed and ready for work.

They are very similar in size: about 5' 4" long (give or take an inch), 3' 2" high and 27" deep. One of the two has a tool stow that adds 7" to the width. Both are made from good-quality kiln-dried construction studs, and they are robustly strong and weighty enough for any kind of woodworking you care to name.

The New Legacy bench, £300

This one comes from my New Legacy School of Woodworking. It is 5' 6" long, 23½" deep and 38" high, and it is very robustly built to last a lifetime of woodworking.

The roof-timber bench, £300

This last one has a different story. While the first three benches here were made by my own hands, this one was made by John, whom many of you will know. It is built from the Scots Pine joists and beams taken out of my own house when the builders put an extra room into the loft. It departs a little from my usual English joiner's workbench: the stock is heavier, there are twin tenons on the cross rails, mortise and tenon throughout, and a dovetailed drawer. It is exceptionally well made. It measures 5' 4¾" long, 26½" deep and a little taller at 38¾" high.

It is well worth £1,000, but I will settle for the first £300.

Add a set of hand tools, £150

I can also supply a set of hand tools, well suited to anyone pursuing hand-tool woodworking, to go with any of the benches. The set is well-used but highly functional, freshly sharpened and ready to go to work. For £150 it comprises:

• Two handsaws
• #4 and #5 bench planes
• Combination square
• Coping saw
• Dovetail saw
• Tenon saw
• Layout knife
• #78 router plane
• #80 scraper
• Set of chisels
• Chisel hammer
• Sliding bevel
• Dovetail template

How to buy one

A non-woodworking post – but it has a hand-made 19th century door in it. Some friends & I often chat about the birds we see around the neighborhood and in one of those conversations recently they re-told me a story of a door in their house. It came out of an old house here in town about 50 years ago. Though I had heard the story, I hadn’t seen the door until this spring – of didn’t remember it anyway.

19th century interior door

As far as that sort of thing goes it’s a nice, but pretty common, white pine door. Shiplapped boards, clinch-nailed battens. I like how some of the boards taper in width – that’s a nice feature. Its original configuration was from a house-to-a-shed. I don’t know what went on in that shed, but someone kept notes written on the door about the weather and comings and goings of nature – 

Here’s what I can read from the middle of that section:

1890

Bluebirds Robins + Blackbirds 

10th of March ______ _____ ___

First Crickets Aug 7, 1890

First frost of the Season Sept 25

Crickets on Oct 10 [Rainy? ???]

   “           “     “    16

First Snow flurry Nov 11 1890

These notes are scattered all across the top half of the door. Some legible, most less-than legible. There seems to be no rhyme or reason to the format – one year is here, the next is elsewhere.

On the top cleat are some notes from 1886 – then right under them 1891

I can’t quite make out the top line but just below that is:

“First white frost of [the season?] – with the date just past the nail head – “Sept [21?] 1886
Heavy freeze Oct 4 1886″

Then right below that a line setting off the next entries for 1891

“1891 Robins and blue birds Mar 15
Crickets heard first time on Aug 9″

It goes on – but that photo cuts it off right there…it spills onto the next photo. “Frogs Mar 20 Crickets….” [illegible]

So – if you’d like to help decipher what’s written on this door, I’m all ears. I shot large photo files – and if I’ve done it right you can view and/or download them – but you gotta have a dropbox account…

I wasn’t sure of a way to create downloadable files here on this blog – and I gave up trying.

Any of you with graphics wizardry might be able to improve the photos to bring out the writing. The earliest date I’ve seen is 1872, latest maybe 1894 or 5. I think this link will bring you to a folder of 30 or so photos. If you can transcribe stuff, key it to the photo’s number

I tinkered with the brightness & contrast on this section from the 1870s

the bottom third I get:

“Crickets Aug 1st 1877
” heard distinctly on
Oct 15 1877 after a very Warm day”

Anything you have to add, leave a comment or send an email – PeterFollansbee7@gmail.com

That’s right, sometimes cleanup is the exact opposite Christmas.  Usually in the aftermath of a deep cleaning and reorganizing of the barn I find that I suddenly cannot find something I need.  In the “Before” I knew exactly where that thing was even if the overall spatial composition was more similar to a maelstrom.  But at least I knew where item X, Y, or Z was.

Yesterday I needed to sew something up but could not find nor remember where I put the stinking sewing kit.

Grrr.

Samtsirhc indeed.

 I went back to the shop after dinner last night intending to spend a few minutes checking out the base/chest rocking issues. Those few minutes morphed into almost 2 hours. One thing led into another and I lost track of time. Figuring out why things were going south on marrying the chest to base started to consume me. In the end I still didn't have a clue as to what was going on. 

Instead of adding the pics from that session to tomorrow's post I am writing it up as a separate post for today. As soon as I post this I'll be returning to that headache and commence doing battle again.

the problem

The base has a teeny bit of twist over the sticks both top and bottom. IMO it is no where close to causing the headache with the chest and base being married. I was starting out first by checking the base and the chest for twist.

the flatness check

This is my preferred way to check for flatness and the chest ain't a rocking on either diagonal. I also checked with the sticks and they said no twist too.

hmm.......

Thinking about this I thought that maybe there was a hump on one or more of the bearers. There wasn't, all four were flat and straight.

light assist

I even shined a light behind the rule and no light peeked out on any of the four bearers. 

hmm......

Thought I had found the problem. Two corners had one above the other and two were the rule hit. I evened the ends were they met but that didn't make the rocking go bye bye.

one of the high corners

Both of the high corners were where I had the veneer. I really thought this was the fix boys and girls.

it wasn't easy

Of course where I had to remove some wood was against the grain. One corner torn out and looked ugly.

sigh

I had to shim the ugly torn out corner so the rule lay flat across corner to corner. Got zero joy when I put the chest on the base. If anything, the rocking was worse then before.

checking the offset

Next check on the hit parade was checking the bearer offset from the top of the base to the bearer. It was off less than a frog hair 360 in a few spots.

hmm.......

Clamped the chest to the base. The clamps pulled it flat and tight to all four bearers. I could see and feel them pull the twist out of base onto the chest.

no joy again

The chest ain't rocking on the base but the base is rocking. It wasn't rocking as bad as the chest unclamped but enough to be annoying.

back to square one

Starting over by checking and removing the twist on the base. I wanted to go forward from here with a known, good flat base.

the final check

When doing this I saw that two of the bottom corners weren't square in one direction. Squared those, flipped it and kept at it until there was zero rocking on the tablesaw. Repeated it for the other side. Base was now flat and not rocking on either the top or bottom.

removed

The bearers came off without any problems. I thought with them being glued that they wouldn't come off as cleanly as they did. The reason why I didn't extend the bearers from side to side was I didn't have any scraps long enough for the long side. When I replace the bearers again I will do that.

hmm.....

Still surprised after seeing this pic how easily this cleaned up. I used a card scraper to remove the glue residue. 

last check

According to the straight edge the top of the base is flat, straight, and all in the same plane 360.

hmm.......

This is not the look I was expecting. I put on a 2nd seal coat of shellac and once it was dry, I wiped on the ebony dye. I was hoping that it would be more dark and black. Maybe I can boost that happening with adding some black dye to the ebony?

accidental woodworker

I stuck to the plan

After dinner I went back to the shop and glued up the 2nd base. It was twisted a bit so I clamped it flat to the workbench. I wasn't expecting it to do anything but when I took off the red handled clamps, the base stayed flat on the bench. Nothing moved or shifted when I did that. Sometimes you get lucky.

cleaning up the base

It probably wasn't necessary but I planed and rasped the base cutout smooth.

it fits

I had built in wiggle room, R/L and F/B. However, it seems I added a wee bit too much R/L - it was 3/16". But that is what the cove molding is for - to cover any gaps between the base and the chest.

blurry pic

Just as well that this was blurry because the tails on this base have some of the ugliest gaps I have seen in many, many moons. This blurry corner had the worse looking ones.

the other end

This corner looks better but it still ain't good IMO. I will use it and shim all the gaps.

the best corner

This is what I was expecting to see on all four but that didn't happen boys and girls.

homemade putty

Gathered up some cherry sawdust and mixed hide glue with it. I filled in all the small gaps with this that didn't need a shim.

bearers done

I glued and screwed the bearers to the inside of the base.  I will screw up through them into the bottom of the chest.

too high?

The bearers are 5/16" down from the top of the base. That puts the plywood bottom a few frog hairs below the top edge. Not that matters much because the cove molding will hide it. In the pic it looks high to my eye, but in person it doesn't.

bottom on

I nixed just screwing the bottom on and instead I glued and nailed it. Flushed the edges of it to the chest.

lid sized

The lid is a 1/2" oversized on the front and sides. I may knocked that back to 3/8" because I'm not exactly in love with this amount of overhang. 

needs shims

I had 4 pin/tails to shim on this end. The other end I had to do 6. Overall I used 14 shims to close up gaps. 

shim stock

I picked through my cherry scraps and used those that closely matched the chest. The japanese dozuki did extremely well sawing the thin shims I needed.

more homemade putty

I shimmed what I could but there were still a few gaps that looked ugly. 99.9% of them were on the tails. I only had to fill two spots on the short ends.

the cove molding

The first step is to put a thin coat of shellac on so the dye doesn't end up splotchy. I put one spoonful of shellac into the container.

hmm.......

I added 3 spoonfuls of the alcohol from the brush container into the spoonful of shellac. That should thin it so the dye goes on even. I don't think the cove molding is pine but it looks like poplar to me. I don't know if this molding will act like pine does when it is dyed.

two of the choices

The plan is to dye it with red oak first. The right one didn't look like the cherry at all. After the red oak has dried I will apply another coat of shellac as a sealer. After that has dried I will apply the ebony as the 2nd dye.

happy with this

The color came out more even then I expected. It also doesn't look that bad against the cherry. (BTW when I was at Lowes there wasn't a drop of cherry dye in the store.) After dinner this will be dry and I'll put on the ebony. I want this molding to stand out from the cherry and that is why I'm using a dark ebony as the top coat dye. I'm hoping that the red underneath will peek out too.

hmm........

The chest is rocking in the base. The chest isn't rocking sitting on the bench. I stacked up some veneer on the low corners until the chest stopped rocking on the base.

it went south

Took the chest out of the base to super glue the veneer stack together. Put the veneer stacks on the bearers and put the chest in place. It was rocking again. Less than two minutes before it wasn't. WTF?

The chest lays flat on the tablesaw with zero rocking in any direction. Under the sticks it shows zero twist too. The bearers show a little twist but I don't think it is enough to cause the amount of rocking I'm seeing. I'll have to set this aside for now and think on it for a while. 

back thing doo dad or doo hickey

I have a book on furniture styles and the names of the parts of them. What I don't have is one thing that has anything like this. I like the look of it on the lid over leaving the lid flat and unpopulated. A back stop is what I came up with to call it.

accidental woodworker 

I found a handful of pictures from thirty years ago. The drawings were still there. A mid-sized chest made from mesquite with some accents in walnut. The pictures had faded a little but were representative of my early designs back in the 1990s. I enjoyed the memory of making them, yes, but what I enjoyed the more was driving my 1951, one-ton flatbed Dodge truck onto the million acres of land to harvest the mesquite trees in a wilderness only a handful of people might ever know. I could drive that land all day and never meet a soul nor be seen by one.

My work as a furniture maker through the decades has taught me patience. At fifteen miles an hour in the desert amongst the yuccas and prickly pears, the dry heat, and the uniqueness of Texas living 30 miles from the nearest gas station and shop, it took me two hours of solid driving to reach the oasis of mesquites that thrived in an isolated cluster of a thousand trees. The frond-like leaves hung with the long mesquite pods as I pulled up to harvest. 41º with no breeze for cooling my sweat, and my body felt like an invisible brick wall, and I knew very clearly of the dangers of being where I was in such isolation. No cell phones, and no one knew where I was. I lived for days like this, felt nourished by the unpretentiousness of it. I related to the sense of belonging to nature. It was a selfish element that paralleled my younger days of solo rock climbing, free-climbing the rock faces of my youth and early twenties.

The places I spent the day in meant caution at every turn I made. The wildlife of poisonous snakes, spiders, and scorpions mostly lay hidden beneath shaded rocks, but not always. The snakes needed heat to warm the blood, and some could move at great speed. Truth was, I'd rather have the snakes of the desert than the snakes I once knew living in the big city of my youth, Manchester. Coyotes and javelinas might surprise you with sudden noise and screaming squeals when you least expect them, but they would never really bother you, but a wild boar and the odd scream of a mountain lion needed great caution. You watched the herds of longhorns in the distance or a group of whitetail deer who seemed ever cautious of possible danger. I liked these warners too—ears pricked up, tails flicking, heads turned all at the same time. And all this for a couple of trees. But was it really? Pitching yourself against dangers for a prize of raw wood has given me memories I would never regret. My two Echo chainsaws were something of a safeguard as well as a danger. But I was once awakened to a danger I had not realised. I'd placed my running chainsaw down to tug at some branches and free the stem, and when I went back to it, the largish rattlesnake had cosied up to it for the warmth and the vibration of it.

The prize of a finished design is always a fond memory. The above chests came from my earlier harvesting days. I held onto the wood for four years before I made these pieces. Driving through the four gravel river bottoms with two mesquite logs just as the sun was setting is tied up in fond memories and the two chests. They were both delivered with one in a corporate office entryway in Houston now, and the other in someone's home, if they are still there.

Now that I am in my approximately 4,000th day of organizing, reorganizing, cleaning and tidying the barn I am qualified to declare that Cleaning is Christmas.  Unlike my friends MikeM, Ripplin’ John and MartinO I am not by temperament nor habit fastidiously organized in my physical surrounding.  This means that combined with my forgetfulness about the details of my surroundings, organizing and cleaning reveals “new” contents of the barn that in truth I had forgotten either 1) that I even had them, or 2) where I put them, sometimes in a “special place.”

My current paroxysm of tidying the joint is just such a reality.   Sometimes the revelations are mundane, such as, “Oh, that’s where I put my favorite utility knife.”  Other “discoveries” are more meaningful.  Just a few days ago at the Plane Wellness shindig I was commenting to someone there that I was running low on the shellac wax I had ordered several years ago directly from the factory in India.  I was lamenting(?) the fact that I might need to send another big pile of money there to restock if I was going to continue using and selling shellac wax for more than another few months.

So, there in the corner tucked behind one of my workbenches were two full cases of shellac wax.   Enough for two or three years of consumption.  Suddenly that was one less thing I needed to worry about.  That alone made it a good day.  The cases were so embedded in the space (I had to actually cut the boxes apart just to extricate the contents) that I clearly placed them there before I built a storage cabinet and placed the workbench in its current location and then put stuff on top of them.

Then, as I was taking inventory of my polissoirs and packaged waxes underneath the workbench I use for that purpose, I found two full cases of the 190 proof grain alcohol I use for mixing spirit varnishes.

At this point all I have to do is persuade myself that cleaning is something I need to habituate myself toward.  Yeah, good luck with that.

Now I just have to concern myself with the fact that my polissoir maker is struggling with some health problems that are disrupting his broom-making output.  Yikes.

hmm.......

In pine this would have been a nice looking, deep rosebud. In cherry I can't feel even a hint of a depression from the clamp head. I'm pretty confident that these will disappear once I plane and sand the chest.

making cove molding

This is a 1/2" round nose bit and the cove molding it would make is too small. This is roughly about a 1/4 of being able to cover a 3/4" width. 

a bigger size round nose bit

The cove is bigger but still not big enough. I have a larger round nose bit but it is 1/2" shank and I don't have a router table for the plunge router. This road is a dead end.

hmm.....

I have two small cove molding planes - both of them are 3/8". The profile looks to my eye to be a wee bit too big. But the headache is and was, trying to run the plane on cherry. First I had to fuss for a bazillion years trying to get the plane to take a good shaving - not too shallow and not too heavy. A kind of Goldilocks and the three bears story.

Got that sorted out but I couldn't get a consistent cove on the entire length. The lead in wouldn't develop the full profile no matter what I tried. Decided that was ok as long I added about 6 inches of extra length for the lead in. But when I checked my cherry scraps I didn't have anything long enough to do that. Sigh.

I tried both molding planes and I wasn't happy with what I made with either one of them. I know both work well and make good moldings in pine but with the cherry I have it was garbage. Another big hiccup was the available cherry I had wasn't straight grained. It was mostly cathedrals I would have to plow through. Nixed this and decided on buying and dyeing ready made cove moldings.

working on the base

Molding problem solved so I moved on to making the base for the chest. I didn't know it here yet that I had a major brain dump that would bite me on the arse in the PM session.

not happy with this

I can remove some of this defect when I saw the half pin but not all. Thinking that I will plane a chamfer on the outside edge to remove what is left over.

I like this

If I flipped the board all this would disappear. The opposite face is 99% clear. I want this be facing out so I'll deal with the defect after the base is glued and cook. This is why the defect is on the outside face.

tails laid out

I did two tails at the corners vice one big one. I didn't like the look of a single tail and two didn't look crowded or too small.

one of 3 that came today

I saw these squares on a Fireball You Tube vid and pulled the trigger on the two pack. You can also get a 3 pack or buy the 3 sizes individually. I have a poor record with miters and I think these may help a wee bit.

hmm......

These 45's are substantial. They are made out of steel (?) and it is almost a 1/8" thick. They aren't flimsy feeling and have some heft/weight to them. Both sides have scales on them. I don't know if they offer them in metric. They are made for metal working but I can envision them working with wood with no problems.

I got half sizes

The big square is twice the size of the smaller one. Both will layout 45's, 22 1/2, and 90 degrees. The inside corner is rounded but the flange was dead square when I checked it with my 6" square. 

cove moldings from Lowe's

I got lucky as there were only 4 of these left. I hope my estimation won't bite me on the arse. The plan is to stain these and I have a few ideas percolating in the brain bucket with that.

hinges and handles

Bought a black oxide hinge for the chest from Horton Brasses. The bail handles I got from eBay for $42 including S/H. eBay is the cheapest price I've found this style of handles. 

grandson's art

Leo did the xmas tree when he was 3 years old. Miles's is on the right and he did his a couple of months ago. I hung them on my wall cabinets and snapped a pic of them. I sent it to their mother so she could show it to them. Both are waiting to see them hanging in the shop.

I'm learning

Chiseled a relief on the tails before I tried to dry fit the base.

yikes

This is not what I wanted to see at this point. Go back to the 5th pic and you'll see the boo boo that I totally missed. The long base pieces are short - they are on the inside of the short ends rather than out to the outside faces of them. Real big sigh.

one point for more

Got the short sides correct - so I get one of the two points available.

1 1/2" short

There is no way to fix this mostly because you can't stretch cherry. I can't see repurposing this for something else neither.

hmm.....

I got lucky finding enough wide scrap to get a new base from. This one is about a 1/4" higher and I'm keeping it as is. 

tails laid out

It was a strange feeling after finding my boo boo. I didn't have the urge to give it flying lessons. I'm getting better at dealing with my brain farts I guess.

stayed late

Tails sawn and ready to chop out the center waste. I plan to return to the shop after dinner and get the tails/pins chopped, dry fitted, and glued up and cooking. I want to keep moving on this and get it done ASAP. 

the store bought cove molding

I like this look and the coverage it will have on the base. The molding definitely needs some help color wise. It is too stark of a difference between it and the cherry.

accidental woodworking 

I volunteer for an organization called the "Repair Cafe", whose purpose is to rebuff our throw-away culture by fixing things for people (for free) and thereby keeping stuff out of landfills.  A client brought in an incredibly rickety chair that belonged to his mother.  It wobbled excessively front to back and only a little less side to side.  Usually we fix things right there at the repair event, but this one was going to need a workshop and some tools that I didn't have at the event, so I brought it home.

The Van Sciver chair

This chair had an emblem on the underside of one rail indicating the J. B. Van Sciver Co., of Camden, NJ.  A quick internet search found this company was in business from the late 1800s to about 1980.  I'm not good at dating furniture, but it was all mortise and tenon construction and it used hide glue, so maybe it was made more than 50 or 70 years ago.  The screws that held the seat to the rails were slot head screws, but they were clearly manufactured screws (not blacksmith-made).

J. B. Van Sciver

I've seen several videos of furniture repair, but have only ever worked on a couple old pieces that needed some help.  The first thing I did was to label all the parts so I could get them back in the right position during reassembly.

Parts labelled

Almost all the joints in the chair were very loose, so it didn't take much to get the chair apart.  Two "spreader" clamps helped with that.  One complication was that the upper backrest rail was screwed to the legs (and probably glued), with plugs in the countersunk holes.  Those joints were solid and I didn't want to take them apart, which meant I had to disassemble the chair in a certain order so as not to stress those joints.

Before I could do this, though, there were corner blocks under the seat that needed to be removed.  And each had 5 or 6 small nails in addition to the glue holding them in place.

Arrrgh!  Nails!!

Some of the nails were proud and easy to remove, but others were tough.  I bought a tool called a "cat's paw" that helped to remove the nails.  What a bummer, though - I had to chisel out some wood around the more stubborn nails and thought I might have to replace the corner blocks, but in the end they were still good enough to use.

Almost fully disassembled

The builders used hide glue in the joints, but it was mostly gone and what was still there was extremely brittle.  I tested it to make sure it was hide glue.

The water test to see if it was hide glue

The weird thing about this chair was that the mortises were WAY longer than they needed to be for the size of the tenons.  It's no wonder that the chair was racking so badly!  So I added some wood to the sides of the tenons to get a better fit.

A poorly fitting mortise and tenon

Gluing some wood onto the tenon with PVA glue

All the seat rail mortises were way oversized and inconsistent - some were about 1 1/2" long, some 1 1/4".  But the tenons were about 1" wide.  The wood I added allowed me to get a far better fit to the mortises and this should help keep the chair from racking over time.  The stretcher mortises fit much better, but I had to thicken the tenons by gluing on some shavings.  Some of the seat rail tenons needed this, too.

Here's a dry-fit before glue-up

Since my hide glue is about 5 years old, I did some testing before using it.  It has been in the fridge all that time, and it performed perfectly.

Testing the hide glue on scrap with and edge joint and a face joint

I glued up the chair with the hide glue and left it to cure overnight.  Later, I glued and screwed the corner blocks back in place.  I managed to find some slotted-head screws in my stash that matched very well the screws used to hold the seat to the seat rails.

Two new screws holding the block in place

And that was it.  The chair is now solid as a rock and should be good for another couple of generations of users.

The repaired chair

I did not try to fix any dents, scrapes or finish problems.  But I did scrape away some tiny paint droplets from the seat.  This was a very interesting chair and the owners are thrilled to have it in good condition again.

first end panel

Starting chopping pin waste a little after 0800. It took me about the same amount time doing this as chopping the tail waste.

hmm.......

It looks good. Only a couple of the pencil lines are still visible. The pin walls are plumb from the top edge. Batting next is checking the fit.

first corner

It didn't go off the saw. It might have but I didn't want to risk trying it. I rasped the pins until the fit went together with gentle mallet taps. It took 3 trim and checks before I got this.

first corner tail side

Got a gap across the board on the baseline. Wasn't sure what the headache was here yet. I just checking the fit before chopping the next set of pins.

starting on the 2nd corner

It took me over an hour to chop and fit the first corner. I didn't think I would break that record on the 2nd corner .

not easy

The pins initially seated and then stalled about a 1/4 of the way in. I could see which pins were tight and needed some rasping. I did those dance steps 5 times before the pins and tails mated.

I see a pattern developing

The baseline gaps are actually better the previous two attempts to seat them. I was getting a little frustrated trying to get the left 3 to close up but couldn't.

finally got it

Got all the baselines to go bye bye. It took a while but I finally managed to figure it out.

yikes

I rasped the pins too many times. The baseline gaps are history but I now have gaps on the pins. Sigh. 

the fix

I rasped the pins too many times. I was chasing my tail here because the pins weren't the cause of the gaps. The baseline gaps are history but I now have gaps on the pins. Sigh. But chiseling a relief on the tails is what got the them to seat gap free.

#3 corner

Some pins were tight and after rasping them once, I got this fit. I had already chiseled all of the tails. They seated gap free.

#4 corner

I rarely if ever, chisel my tails. It is me being stubborn and thinking it isn't necessary. Well boys and girls, I am still capable of learning and saying I was wrong.

Happy with the fit of the box. Except for the over rasped pins, all the tail pin joints look good. The top/bottom corners are within a frog or less of being flush.

hmm.......

I have my doubts that glue will swell these gaps shut. They might do one or two though and I'll deal with the ones that don't cooperate.

less than a 16th

It is square and it isn't rocking neither. Both the top and bottom are laying flat.

lid

I had forgotten that this lid is a two board glue up. It about 6" too long R/L and 2" F/B. I like the grain pattern in this a lot. No painting can match what nature does in wood.

hmm......

I found this blow out from chopping the waste. I'll glue it in when I glue up the chest. There is another blow up but that one is MIA.

some came

My order from Blacksmith Bolt came but a few didn't make it. I had gotten a refund a couple of days ago but I thought it was from a price issue. Turns out it was screws that weren't in stock. The kicker? - The #6 screws I bought were too small. The screws in the handle are a #7 or metric? 

I was ready

Initially I was going to do the glue up in the AM but nixed it. Got the brush, water jug, and wet rag in standby.

hide glue

I probably could have used yellow glue but I went with hide glue. I have never had a joint freeze on me with hide glue. Besides I didn't have to rush like an idiot to get the glue on and the chest together. 

needed some help

The tails would seat fully but they wouldn't stay. I clamped each tail on both ends. I had to clamp and unclamp this a couple of times because it kept going out of square. As soon as I clamped the top tail it would throw off the square. I had to start clamping from the bottom and work upwards for the chest to stay square as I clamped the tails.

quick Lowes run

This plywood panel was $20 bucks. The same panel in birch was $30. No brainer IMO. This panel felt just as stiff and strong as the birch panel. This face has quarter sawn grain which I like an the other face is white-ish.

the bottom is ready

I think I'm going to just screw the bottom panel on vice glue and nails. At least that is what the game plan is as of this typing.

accidental woodworker 

Junior runs the log-yard where I buy my wood. He brokers logs, buying mixed loads from local loggers and tree services, then selling them by species and grade to mills and foreign shippers. It’s a family affair:  Junior’s brother runs one of the huge knuckle-boom trucks, his cousin runs the scales, and his son runs a small sawmill back home. Junior’s grandfather was a logger and sawyer, and his great-grandfather was logging trees at the time of the Civil War.

I went to the log yard last week to get a red oak log for a pair of Democratic Side Chairs.  Junior knows what I want, often better than I do: he looks at hundreds of logs a day. “We don’t have much red oak.  But there’s a red oak butt on the firewood pile the loggers slabbed…”  ‘Slabbed’, I discovered, means the loggers split the log in half when they felled it, turning a valuable log into firewood.

The log was a beauty:  30“ in diameter, perfectly straight, fast grown.  Junior sawed off a piece small enough that it wouldn’t crush my trailer and loaded it with the knuckle-boom.  

‘What do I owe you?’  I always ask, though I know the answer.  

‘I’ll catch you next time’  Junior never charges me for logs from the firewood pile.  In a world economy where many of his logs go overseas before even being sawn, I think he likes knowing this log will be turned into a chair within 10 miles of his home. And for my part, I like salvaging nice logs that would otherwise end up in someone’s woodstove.

We recently traveled north to Butler PA for the 2026 edition of the Plane Wellness shindig.  What ensued was a terrific weekend of handtool woodworking fellowship.  In a way it was a smaller scale version of Handworks and a good tune-up for getting my brain and inventory set up for that venture.

My first impression of the attendees is that they were younger and more beginner-ish than other tool events I have attended, and that is a good thing.

A true delight was spending time with both old friends and new.

I was presenting on historic finishing, which drew an enthusiastic audience, and I was doing demos at my table throughout.

Keep an eye on their web site to put next year’s event in Washington PA on your calendar.