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Rivers Joinery

Something in the air
It must be something in the air. Out looking for birthday presents, I found these books, a stone's throw from St. Mary's in Totnes.
Literally for a song. I would happily have paid, for each page, what I paid for each book. Some things are just meant to be.
The first was right next to the second. A fitting accompaniment, given that my interest in 17th century English furniture, was first piqued, by an exploration of American furniture of the same period.
Cantilevered cupboards.
Chickenopolis
When I'm not stopping buildings falling down, making furniture, carpentry, framing and joinery........I'm doing more carpentry! No, not really. Me and her outdoors, try to be self-sufficient in fruit and vegetables and eggs. She is more green-fingered than I, but it's quite handy that I can build all the infrastructure!
We used to have problems with rodents, until we built Chickenopolis. The raised houses give the chooks somewhere dry to dustbathe, their favourite activity, even in wet weather. It makes them easier to clean out and means the rodents have nowhere to get comfortable; wheelbarrow under the big door, open it and pull out the waste, then off to the compost heap. There is a covered way down the middle; for collecting eggs from the nest boxes, sorting feed out and storing tools. Having a dry space to do it all makes all the difference.
In other news, the new old van is on the road, with new livery.
Who put all those spoons in there.
I just went out to the home workshop to get a box to put some things in, but some silly sod (me) has put a load of spoons and ladles in there. Grab other box; the same.
Oh well. I picked this chest of drawers up for the daughter's bedroom recently. I replaced the plinth, because someone had used a few bits of old pallet in a previous restoration. A polish with some Fiddes and good to go. Minimum intervention is the best option sometimes. The top drawer is a writing desk for her studies. Definitely Early Oak, but she likes it.
I was going to make another bowl out of the other half of that Elm log, but nature beat me to it. This is Velvet Shank mushroom. It makes good eating. The Japanese call it Enokitake. As well as being tasty, it also is notable as a winter growing mushroom. Never eat a mushroom unless you are 100% sure about what it is. There are two other mushrooms similar to this which are poisonous. To differentiate you can take a spore print; Enokitake has white spores, the other two don't.
Here they are, growing on another piece of Elm in the hedgebank bottom, a bit more developed. I don't mind if this log goes back to wildlife, and the added bonus of a tasty meal.
On my way back from the workshop, I grabbed some firewood and this piece of beech, which was near the edge and got wet, has Turkey Tail mushroom growing on it. Back in the hedge, into a pile of logs and cultivate this one also. Turkey Tail is known as Kawaratake (roof tile fungus) in Japan and Yun Zhi in China, where it is used in traditional medicine. It is apparently good for balancing immune systems, so you never know, it might help me with my joints!
The first shoot of this year's sweet chestnut planting, showed itself. Giving back what we take.
More elm
So, I've been continuing to use the elm up, making bowls etc.
The bottom one is dry now and ready for oiling. The top two have a way to go. The log wasn't so green and it's being lying in the hedge bottom for a while. I only finished carving the smaller ale bowl a few days ago. It's the first time I've tried my new kuksa gouge. Love it.
I used all the bowl carvers on this one.
Dave Budd bowl adze, Karlsson bowl gouge, kuksa gouge, Karlsson dogleg, twca cam, axe obviously and twocherries 12mm gouge to finish.
When I split the log, the juvenile tree was obvious in the split.
I thought it would work to retain the outside of the sapling (on the right) and use it as a handle and spout, for pouring.
Starting the hollowing with the bowl adze.
I love the texture of the bowl adze on the zigzag grain of elm.
Elm is a strong contender with oak as my favourite timber.
Jasmin Cottage back out again.
One of the panels in St. Mary's. I don't get bored of looking at these and the more photographs taken the better; St. Mary's is being re-arranged inside in 2025, it won't be the first time the Corporation pews have been shifted.
So, the frame repairs are done on this section of Jasmin Cottage. The cavities between the studs have sheepwool insulation installed, leaving a gap for air circulation, 3"/75mm batts in a 4.5"/115mm cavity. Then 1"/25mm woodwool boards installed on to the frame as a substrate for lime rendering.
The washers are covered in scrim and natural plaster primer, to prevent non-adhesion of the lime render in those spots.
Then it's removal of woodworking tools and equipment, down the long passage to the Totnes High St; there is no road access to Jasmin Cottage!
I don't mind one bit though, because the passage leads to one of my favourite buildings and the carvings therein; St Mary's Church. The building on the left stands on the footprint of an Anglo-Saxon hall.
Just as a reminder, my tribute to the exquisite carvings on the Corporation Pews.
We find braces in the Jasmin Cottage wall
The window is supported, with a section of new framing, and the top of the masonry fixed, with lime mortar and stone. It is now safe to investigate the cracks in the cement mortar, that continue up the side of the window. This cautious removal of render, rather than a wholesale approach proves it's worth; it may have been all that was keeping the structure together.
We find a brace. Phew! Some historic roof leak has dripped down and rotted the front of it. The front was removed to a depth of 1" and a new piece fixed in.
The stud on the left has bad damage above the brace, but is ok below, which is to be expected. So the stud is sistered above and below the brace and secured. This will hold it all together until the rest of the wall receives attention.
Jasmin Cottage is down an alleyway that leads through the left hand door on Totnes High Street.
This building, apparently, still has the footprint of the original Anglo-Saxon hall which stood on the site. That original building and the alleyway were being used over 1000 years ago.
Jasmin Cottage going deeper
So we know now that there is rot in the timber frame. But how much?
Quite a lot. The sill is badly damaged, the left post/stud bottom is gone and the right post/stud bottom is gone and it's been removed above the sill to accomodate a bigger window than the original.
Support is given to the window and wall while a new section of timber work is made. The rotten timber is removed.
Expanding foam had been used to fill gaps in the lower floor masonry wall. This was part of the problem; not allowing the timber to breathe. Completely inappropriate materials. As much of the foam was dug out and replaced with stones and lime mortar. The new section of timber frame was scarfed into the left post, preserving as much of the historic material as possible. The ends of the sill have been bracketed for now. It is envisaged that the rest of the wall will have the rest of the portland cement render removed and frame repaired when funds allow. That will require full Listed Building Consent. The rest of the new sill can be scarfed in at that time. Now that the window is fully supported, investigation of the cracks further up the sides of the window can commence.
Jasmin Cottage timber frame repair
Jasmin Cottage, Totnes. Early 19th century grade 2 listed with later extensions. Masonry ground floor and timber frame first floor. Investigation of cracks in external, portland, cement render below and around upper left window.
In a meeting with the lime renderer, it is discussed that it would be better to plan for removing an 8'/2.4m strip of cement render, around the window and down to the overhang above the downstairs window. This should facilitate examination and repair of the timber frame and subsequent re-rendering in lime. Obviously, it would be better to be re-rendering the whole elevation in lime, but there are financial constraints for the owners. Making some of this wall more breathable is taking this building in the right direction. A conversation with South Hams Conservation agrees this course of action.
It would seem sensible to go slowly with removing the render, as we really have no idea what lies beneath. A heat sensitive camera has been used but that has revealed nothing about the timber frame; there are no differences in surface temperature, across the wall.
The cracks.
Keyhole surgery.
It becomes clearer why the heat camera is showing us nothing. There is render, EML expanded metal lath (badly corroded), then tar paper/sarking then battens, then the frame with tightly packed fibreglass insulation in between. Gypsum plasterboard on the inside; perfect conditionsto rot the frame. That's a 3" screwdriver up to the hilt.
Oh dear, oh dear! Fortunate that Rivers Joinery are here.
Call of the Wild
Elm on my mind
We've been mostly saving old buildings recently. More of that later. We've had a storm raging here for the past two days, and I've been hunkered down, reading about Elm Timber Framing. We have several Elm stumps in the back hedge around 12" diameter. The previous owner had cut them off at 3' high, so they were neither coppiced or pollarded. They have suckered and new saplings are growing up and as we also have ash, that so far has not succumbed to the dieback, I want to help the ash, so I have cut the elm stumps off to the ground, as they will probably sprout again, and who knows maybe one day soon Dutch Elm Disease will have run it's course, and they might make it to maturity.
I have never made anything from elm, so this afternoon I started roughing out a bowl in the covered way. It is far from green now, but I had no problem, making progress with my Dave Budd bowl adze. It never seems to go blunt!
The book by Robert Somerville is a very interesting read.
The most striking thing he introduces is the variety in appearance of Elm trees. I used to live in Brighton, which is a haven for the Elm, but it seems that there may be many more around than the public perception acknowledges, according to Robert. I know of two giants locally, but maybe I'm not looking closely enough, because I mainly have eyes for oak.
Elm is known for it's interlocking grain; the reason it was used for the nave, or the hub of a wooden wheel. I remember visiting Mike Rowland carriage makers maybe 15 years back. They had a stack of nave sized chunks of elm on the outside of their workshop, seasoning. This stump, though, is perfectly straight grained, or maybe I might not have been able to cleave it.