Death leaves a heartache no one can heal, love leaves a memory no one can steal.  

Hand Tool Headlines

The Woodworking Blogs Aggregator

 

Search

Headlines

A Walk in the Woods in February

Lost Art Press: Chris Schwarz - Wed, 03/08/2017 - 10:58am

I love the smell of ponderosa pine in the morning…. Smells like…vanilla.

–Lt. Col. Bill Kilgore, Apocalypse Now (director’s cut)

We’re going to travel a little further afield today, but first, a correction: Last time, I posted a photo that I claimed was of a tuliptree, but as A Riving Home pointed out in the comments, the photo was actually of a mockernut hickory (Carya tomentosa). What happened was that I had taken photos of both, but at the last minute decided to save the hickory for a later post, and then managed to mix up the photos. Here’s the real tuliptree:

tuliptree2

(The description in the previous post still applies.)

In February, the forest begins to show signs of renewed life. The earliest migrant bird, the Eastern Phoebe (Sayornis phoebe), has arrived, and the resident species are singing their hearts out. There’s some color seeping into the grayness of the landscape, and on a warm, rainy night, you might hear a chorus of spring peepers (Pseudacris crucifer). By the end of the month, some of the trees have begun blooming. The most noticeable of these are red maple (Acer rubrum), with its deep red flowers, and silver maple (A. saccharinum) with dull orange flowers. The pinkish flowers of American (Ulmus americana) and slippery (U. rubra) elms quickly give way to pale green flying saucer-shaped seeds.

Some shrubs begin leafing out in February as well, but these are nearly all non-native plants, such as Amur honeysuckle (Lonicera maackii) and autumn olive (Elaeagnus umbellata). The native plants know that there’s still a good chance for a hard frost, so they wait.

We begin in an area of bottomland near the Hocking River here in Athens County, where there are a couple of species that dominate. First, one of the easiest of all trees to identify:

sycamore

The patchy, ghostly white and gray bark of the American sycamore (Platanus occidentalis) always stands out against the gray backdrop of the winter forest. Close up, the lower portions of the trunk are covered in numerous small, brown scales:

sycamore2

The other dominant bottomland tree in this area is the often huge eastern cottonwood (Populus deltoides):

cottonwood

Its bark is deeply and coarsely furrowed, with the ridges being more or less flat-topped.

Both of these trees can be found further up slope, but it’s always a sign of abundant ground water when they are. In particular, you can find these trees along ravines and exposed layers of porous shale, where the soil is always wet. These layers of shale correspond with coal seams, in this area the Middle Kittanning or “No. 6” coal.

One of the most important trees to a woodworker is black cherry (Prunus serotina):

cherry

Further north and at higher elevations, black cherry can be the dominant species in a forest, but around here it’s mainly found as scattered individual trees, usually but not always near water. The bark is dark, brownish-black, and broken up into oval scales that curl up around the edges. Another feature of cherry trees is that they are almost never straight. This is because as the tree grows, the main stem has a pair of terminal buds, rather than just one, and one of the buds “wins,” depending on the lighting conditions. Thus, each year, the tree heads off in a slightly different direction.

We’re going to move up slope now, to some forested land that my wife and I own just over the county line, in Meigs County. A close relative of the eastern cottonwood is bigtooth aspen (P. grandidentata):

btAspen

The bark is a medium gray, sometimes with a gold sheen, and interrupted by a combination of horizontal ridges and vertical splits. Further north, quaking aspen (P. tremuloides) replaces bigtooth aspen; its bark is similar but whiter.

American beech (Fagus grandifolia) is characterized by smooth, nearly featureless gray bark:

beech

There are several species of hickory in the forests, most of them difficult to tell apart. The aforementioned mockernut hickory is fairly common:

mockernutHickory

The bark has the sort of criss-crossing X ridge structure that many of trees in the forest have, but in the hickories, these ridges tend to look as if they are strands braided together. This is more apparent in a young tree:

youngHickory

One species of hickory that is not hard to identify is shagbark hickory (C. ovata). Although the braided pattern is obscured, you can still kind of see it if you squint; it tends to be more obvious near the base of the trunk:

shagbark

Pines are tricky. A big part of that is that people plant a lot of pine trees, and the species that they plant are very often not native to the area, so you never know what you’re looking at. Around here, only one native species of pine, Virginia pine (Pinus virginiana), is common:

virginiaPine

It’s characterized by relatively short (about 2″/5 cm) paired needles that are flattened and somewhat crescent-shaped in cross section, and usually twisted.

The other pines that occur in the area all have much longer needles: eastern white pine (P. strobus), pitch pine (P. rigida) and shortleaf pine (P. echinata). It generally takes a combination of characters (number of needles in a bundle, shape and size of the cone, etc.) to distinguish these species.

Ponderosa pine (P. ponderosa), a species of the western half of the United States, really does smell like vanilla, although you have to get your nose right up to the bark to notice it. You won’t find any ponderosa pines growing around here, but you might nevertheless find it at your local home center; the clear pine boards are often cut from that species.

Not everything in the forest is a tree, of course. There is a ground-hugging plant that looks strangely like a conifer of some kind:

clubMoss

And one of its common names is indeed “groundcedar.” In fact, though, it’s not a conifer at all, but rather a member of an ancient lineage of plants, Lycopodiophyta, and not closely related to any of the more typical plants. This one is the fan clubmoss (Lycopodium digitatum).

Sedges (Carex sp.) are a rather overwhelming group of grass-like plants; there are about 2000 species worldwide, and 140 just in Ohio. One of the most common is eastern woodland sedge (C. blanda):

sedge

There are many species of ferns in the forest, but these two are the only ones that are likely to remain green in winter:

ferns

The marginal woodfern (Dryopteris marginalis), on the left, may die back to the ground in very cold winters, but the Christmas fern (Polystichum acrostichoides), on the right, stays green regardless.

The marginal woodfern can be identified by the fact that the sori (the spore-bearing structures on the undersides of the fronds) are located along the margins of the pinnules:

marginalWoodfern

It’s still a bit early for wildflowers, although I did find the leaves of this eastern waterleaf (Hydrophyllum virginianum) poking through the leaf litter:

waterleaf

The only blooming flower that I found (actually, I think my wife found it) was this non-native purple deadnettle (Lamium purpureum):

deadnettle

There should be many more wildflowers next month.

–Steve Schafer


Filed under: Uncategorized
Categories: Hand Tools

Hi, I'm the owner of a lovely 180mm ryoba. When cross cutting, even though the near side of the cut follows my guide line perfectly, the cut on the far side wanders. Is this a technique issue or a saw tuning issue? Thanks in advance.

Giant Cypress - Wed, 03/08/2017 - 10:28am

It’s most likely a technique issue, unless you got your saw used, or you remember banging it up.

It’s easy to tweak the saw to one side or the other when cutting one handed. You might want to try clamping down the board you’re cutting, start the cut just enough to get it started, and make the rest of the cut with both hands on the saw, positioning yourself so that the center of your body is in line with the cut.

One thing to consider: how big is the cut you’re making with this saw? 180mm is pretty small. For dovetails in 3/4″ material, I’m using at least a 210mm saw. I could see using a 180mm ryoba for small-scale joinery, but if you’re using it for crosscutting, using a bigger saw will help.

Caliper Comparison: Fraction Dial vs. Digital

Highland Woodworking - Wed, 03/08/2017 - 7:00am

 

In the March 2017 issue of Wood News, Jeff Fleisher changes up his normal review process and does a comparison review of two of our most popular selling calipers, the 6 inch Fractional Dial Caliper and the 6 inch Fractional Digital Caliper.
This will not be a typical review of each tool but rather a listing of the pros and cons to help you make an informed decision when purchasing one, or both, of the calipers.

Click here to read more of Jeff’s article

The post Caliper Comparison: Fraction Dial vs. Digital appeared first on Woodworking Blog.

Categories: General Woodworking

The Best Job I’ve Ever Had

Lost Art Press: Chris Schwarz - Wed, 03/08/2017 - 6:21am

pwm0417_500_1Megan Fitzpatrick at Popular Woodworking Magazine is looking for a managing editor to fill the spot recently vacated by Rodney Wilson, who did a heck of a job before moving up in the world.

I joined Popular Woodworking in 1996 as the managing editor, and it is the most challenging and rewarding job I’ve ever had. You have to be hyper-organized because the managing editor has to make sure the trains run on time. That the authors get paid. That the manuscripts arrive on time. And that corrections get made.

On the flipside, you have access to a dream shop of workbenches, hand tools and power equipment, including a 12” jointer and 20” planer. Whenever your head is too full of adverbial nouns, you can walk to the shop and clear your brain by cutting dovetails for an hour.

Megan is a demanding boss, but that’s the best and only kind in modern publishing. Magazines with lesser editors have all closed their doors.

Best of all, the job is open-ended. After I mastered my paperwork and manuscript duties (that took about a year) I was encouraged to become a better woodworker, write articles, begin blogging, travel to visit authors and work on tool reviews. All that led to being able start my own publishing company with John.

If you love woodworking and want to live and breathe it, this is the job.

Take look at the job description here. Yes, you have to live in Cincinnati.

— Christopher Schwarz


Filed under: Personal Favorites, Uncategorized
Categories: Hand Tools

Magnificent neighbourhood Silver Maple

Sauer and Steiner - Wed, 03/08/2017 - 5:29am


 In 2012, a massive Silver Maple tree needed to come down in our neighbourhood. The sawyer who milled it for me described it as a ‘once in a lifetime log’. It is full of curl, quilt and some birds eye thrown in for good measure. I had it sawn through and through into 9 slabs. They were stacked and stickered for 5 years under cover in an open sided drying barn and were moved into a drying kiln a few years ago. I am going to keep a couple of these, but have come to realize I have a serious wood sickness, and cannot possibly use all of these in my lifetime... so I am looking to sell a few of them. We are also in the midst of a car restoration project and a few of these would help fund it. 

These are located in Southern Ontario - near K-W, and given their size, pick-up only please. 

(slab 1)

Slab 1
Thickness - 9/4
narrowest point - 28”
Widest point - ?
height - 7’ (note that 7’ is below the large insect created opening)
$750.00 Cdn












 (slab 2)

Slab 2 (on the left, slab 1 on the right)
Thickness - 9/4
narrowest point - 26”
Widest point - ?
height - 7’ (note that 7’ is below the large insect created opening)
$650.00 Cdn




 

 (slab 3)

Slab 3
Thickness - 11/4
narrowest point - 33”
Widest point - 47"
height - 11’ (132”)
$1,500.00 Cdn
 








 (slab 4)

Slab 4
Thickness - 12/4
narrowest point - 31”
Widest point - 45"
height - 136"
$1,700.00 Cdn










 (slab 5)

Slab 5
Thickness - 12/4
narrowest point - 35”
Widest point - 46"
height - 136"
$1,700.00 Cdn 




 
(slab 6)

Slab 6
Thickness - 12/4
narrowest point - 28”
Widest point - 43"
height - 133"
$1650.00 Cdn








(slab 7)

Slab 7 (this one has the pith present and is quarter sawn)
Thickness - 11/4
narrowest point - 37”
Widest point - 47"
height - 139”
$1600.00 Cdn





 (slab 8)

Slab 8
Thickness - 11/4
narrowest point - 37”
Widest point - 47”
height - 138”
$1,700.00 Cdn

 












(slab 9)



Slab 9
Thickness - 11/4
narrowest point - 37”
Widest point - 46"
height - 135”
$1,700.00 Cdn
 







I am not committed to keeping any particular slabs, so all are essentially available. Send me an email if you are interested, konrad@sauerandsteiner.com
Categories: Hand Tools

Demise of U.S. Clamp Makers & A Defense of Hardware Hoarding

Popular Woodworking Editors Blog - Wed, 03/08/2017 - 5:00am

The topics of United States clamp manufacturing and hardware hoarding might seem unrelated, and many of you will certainly think that they deserve two separate entries. In this story, however, I will try to show you how they can be “clamped” together quite successfully. Recently I decided we needed to add a few more clamps to the woodworking program at school. I wish we could have bought some domestically made […]

The post Demise of U.S. Clamp Makers & A Defense of Hardware Hoarding appeared first on Popular Woodworking Magazine.

Categories: General Woodworking

Where’s My $%#$@ ‘Roubo on Furniture’ Book?

Lost Art Press: Chris Schwarz - Wed, 03/08/2017 - 4:20am

LAP_logo2_940When you order a book from us, you are supposed to receive an email when the book has been received by the shipping company. When the shipper scans the book – beep – that sends the message to our store’s software. And our software sends a message to you with tracking information.

Sometimes, USPS isn’t very good about scanning packages in a timely manner. Sometimes they don’t get scanned. And so you don’t get an email. But you will get your book.

We have complained (a lot) to USPS. They are overworked so I doubt this will change.

So apologies for the delayed emails or emails that didn’t come.

— Christopher Schwarz


Filed under: Uncategorized
Categories: Hand Tools

Mitre Planes and the Finest of Mouths: Why? What Evidence? What to Look for When Shopping for Mitre and Shoulder Planes

Tools For Working Wood - Wed, 03/08/2017 - 4:00am

One of the crappy things about using old planes is that a tremendous percentage are worn out. A steel mitre plane (or "infill" to use the modern phrase) unless made by a modern maker will probably be at least 150 years old. Norris, Spiers, and a few other makers continued making mitre planes up until the mid twentieth century but those are rare beasts. The average mitre plane you come across will be pre 1850.

Rotten wood can be replaced, but the most important feature of a mitre or a shoulder plane is a fine mouth. And not just a kind of fine mouth, the finest of mouths, especially if you are using the plane on end grain. The planes in the picture have mouths (with the irons withdrawn) ranging from a fat 1/64" to a fat 1/32". That's very fine.

Let's talk about fine mouths for a second. First of all it is pretty well understood that a super fine mouth on a smoothing plane breaks the shaving and reduces tearout. All well and good. But what about mitre, shoulder, and block planes? All of them are bevel up and used primarily for planing endgrain. Certainly there is no need for a fine mouth if the shaving is endgrain and will disintegrate on its own.

So why do unaltered historical examples of mitre and should planes have such extremely fine mouths?

There are two dimensions that concern us: the open space from the front of the blade to the lip of the throat - the effective mouth. And the absolute mouth opening when the blade is removed. As you can see from the photographs the mouths of these planes - a late 18th century mitre plane and a C. 1920's Norris shoulder plane are ridiculously fine and I would say this is typical of any infill in good condition that I know of. You do get planes that are worn out, planes where someone has widened the mouth, but for any infill plane in basic decent condition a very fine mouth is to be expected.


As we've stated before, planing endgrain doesn't require a plane with a fine mouth, but there are two very important reasons for having a fine mouth, especially when planing with a bevel-up plane.

Blade support:
Extending the iron sole of a plane as far as possible under a bevel up blade gives the blade more support and makes it less likely to chatter. Steel-soled planes can do this easily, but cast planes can't - unless they have a steel sole (like the shoulder plane in the picture). With a bevel down iron, there is a lot of support in the blade to prevent the very tip from bending and chattering. On a bevel up plane, on the other hand, the iron wants to bend and chatter around the edge of the sole. The more support the sole gives the iron, the more strength the iron has at the cutting edge -- and the better the plane will work. Cast mitre planes, by the very nature of a casting, cannot get as close to total support as a steel-soled dovetailed plane, where the steel sole can taper to a knife edge.

Controlling the cut:

If you are planing endgrain, especially if you are holding the plane in one hand and wood in the other, and you hold the plane perfectly against the wood when you start your stroke, you can determine the exact thickness of your cut by setting your plane iron. But if you are even slightly off and the plane is tilted on the wood, your shaving thickness will increase depending on the size of the plane mouth. The second drawing shows an exaggerated example of this. The practical effect of this is that you try to take a fine shaving and your plane jams, skids off the end, and takes an uneven chunk off the edge. Worse, you can damage that nice low angle cutting edge on your iron. A very fine mouth mitigates this and makes the plane easier to use, even if you aren't perfectly sitting on the wood. There is simply less space for the wood to jam into.

Left to right: Christopher Gabriel - late 18th century, Norris 20E shoulder plane in nearly unused condition, I Smith - Mid 19th Century
These points are small and minor. I understand that. But I get frustrated when someone compares the performance of a worn out 200 year old plane to an new modern plane, possibly of a lesser design. If you are in the market for a mitre plane, or a shoulder plane, make sure the overall mouth is minuscule. Also make sure that the iron and wedge match the plane. It's not at all uncommon for an old infill to have a replaced blade and/or wedge. Just normal use can cause this. Mitre planes had tapered irons and the original iron and wedge would have been fitted together so that you get continuous contact on the bridge. When properly fitted, the iron will set properly, hold its setting, and be easily adjusted. An ill fitting wedge just won't work right. If a parallel iron had been used to replace what was supposed to be a tapered iron, you will never get proper action without adjusting the wedge. Depending on circumstances, you will probably have a replacement iron with the original wedge. If you do and they don't fit, just put the original wedge in a safe place for when you resell the plane, and make a new wedge. Most shoulder planes used parallel irons so any replacement should fit it properly. Check before buying.

Many bevel up planes have cosmetic issues that don't matter, including damaged wooden parts (easily replaced) and misaligned wedges (easily adjusted). But - unlike a bevel down plane - bevel up planes with wide mouths can't be fixed with a thicker iron. You might like the feel of the plane but it won't get the action you would have gotten two centuries ago. Flattening a sole of a bevel up plane can easily, accidentally, widen the mouth. The steel sole behind the blade forms a knife edge and can be damaged. Unlike cast planes which can easily warp over time, steel planes stay pretty flat. A few pits and dings aren't worth worrying about. I would stone down any raised dings, but otherwise leave the sole alone. Before you try to flatten anything see how the plane works.



Back with a vengeance

Je ne sai quoi Woodworking - Wed, 03/08/2017 - 2:23am

7/3/2017

You might already know that Je Ne Sais Quoi Woodworking almost disappeared into thin air, but alas it was revived albeit still in rehab. One day in mid January my site just vanished and it took days of work by the IT guy who set it up for me and my wife to work out what happened. I really do not want to go into the details of the traumatic event, suffice to say that it was an unsavoury experience.

I would also like to apologise to those who were looking for JNSQW and not being able to find it. A special thanks goes out to my two special blogger friends in Jonathan White (The Bench Blog) and Bob Demers (The Valley Woodworker) who tried to keep my spirits up. They both gave me lots of advice on how to solve the problem and prevent it in future. Thanks gentlemen.

What I have learnt though is that I do not know enough about the technical aspects of websites, wordpress, backups etc etc. I have now made it a mission to first get a better understanding of these vital bits and pieces. At present I am working through a series of videos on how to use wordpress in the best possible way and trying to work out how to optimize my photos before uploading it.

Another thing I realised is how much the blogging has become part of my life and therefore how much I missed it when the site went into hiding. I want to try and hang onto that thought to ensure that I appreciate being able to do it more and hopefully try to improve the quality of my posts and site. One of the tricks I have discovered so far is how to make time-lapse videos and post it on the site. Here is one to wet your appetite.

At least you can now look forward to quite a bit of material that heaped up in the meantime, which I now have to publish to get back on schedule. The two tables I am working on have both evolved significantly since my disappearance. It is wonderful to be back and I look forward to engaging with all of you on woodwork topics yet again.

Viva Je Ne Sais Quoi Woodworking!!!

Lie Neilsen side rabbet planes.......

Accidental Woodworker - Wed, 03/08/2017 - 12:42am
You can't go wrong when there is a lot of shiny brass to gaze upon. My side rabbets came in last night too late to make into the blog so I got to play with them tonight. LN gave me a deal on them since I already had the irons. They sold me the planes sans irons and 3 days later I had them. I briefly looked them over last night after dinner and they looked damn good close up.

how I left them last night
I broke the both of them down to parade rest. The fit and finish is top notch where it counts. This gave me a chance to look at all the individual parts, see how the come apart and how they fit going back together.

blade clamps
Most of the clamp is still rough from casting but the part that sits on top of the iron has been cleaned up and flattened a bit.. I don't know how these stack up against the size of the Stanley 98&99, but I do know the LN irons are much bigger - in the thickness, length, and width.

depth stop
The stop has two raised bumps on the back. The vee shaped bump on the right slides in a groove on the main body. The other raised bump keeps the depth stop parallel to the main body. I would have thought that at least the vee shaped one would have been finished rather then being left rough from the casting.

vertical slot
 The vee shaped bump on the depth stop rides in this groove. This keeps the depth stop vertical and the bottom of it parallel to the bottom of the skate. This groove isn't that deep nor wide. Again I expected the mating bump on the depth stop to be finished at the level of the groove.

LN flattening of the backs
This is one area that Lee Valley excels at. Their backs are dead nuts flat and so shiny you can shave out of them. If I remember right, LN only does the backs up to 400 grit. I shined these two up on 1200 and then the 8K japanese stones.

respectable shine
This is after 10 strokes on the 1200 diamond stone. After this I went to the 8K and tried them out.

99 making wispy shavings
98 making not so wispy shavings
I did not touch the bevels at all but tried them right out of the box. The 99 was sharp and 98 needed a touch up. I did the both of them on the 8K stone first.

10 strokes on the 8K
followed by 20 strokes on the strop
what a difference
I'm getting nice thin, see through shavings from end to end. I had to fiddle with getting the right amount of iron projection which took about 4-5 tries. Once I got that sorted out, the plane sailed through the grain with no hesitation or grabbing.

the depth was a bit tricky
I didn't do so good on this at first. I first dropped the plane in the groove and than set the depth stop. Turns out that there is a better way to do this.

left hand dado
I chewed up the bottom of this dado pretty good with both planes. In spite of being this deep, the planes still shaved the walls. I saw this after I went back to the stones to hone the bevels.

did the same on the right dado

Instead of dropping the plane down into the groove, I looked at this time and held it once the tip of the iron was a frog hair above the bottom. Then I set the depth stop to that. I noticed a difference in the planing. It was smoother and with no dragging.

box is too big for them
I'll keep them in original cardboard box for now
These pieces of wood are left over from the spice rack drawers and I can use them to make a box for the side rabbet planes.

sawing off my test moldings
Two of the boards are too thin so I'm going to plane two more boards to thickness. This will be the first one.

I'll save these
I don't know what I can use these on but I'll put them in the scrap box for now.

one down and one to go
This is what is so exciting to me about hand tool woodworking. I don't think there is a safe way to get this same board to thickness using power tools, safely anyways.  With hand planes there are no restrictions on size.

too thin for the box
 I might be able to get the lid out of these but they are too thin for the box sides.

one board is wonky
it's twisted
Both sides are twisted. Or one side is twisted and the other has a hump. Either way if I correct those hiccups, the board will be too thin to use.

I can get another board out of this
The knot isn't in the way because the board above it is too long.

more than long enough for the front piece.
a tale of two mechanical pencils
The blue one is crap. Initially it works well but as the lead gets shorter it goes south. It is prone to breaking the lead if dropped.  It goes south in big hurry if that happens. New lead is supposed to advance but so far it hasn't happened for me. The lead also has an annoying habit of being pushed back into the pencil as I try to mark with it. In spite of this, I still like mechanical pencils over wooden ones.

I switched over to the papermate pencil and I have been pleasantly surprised by it. It is a thinner lead pencil and it seems to be more robust than the crappy Bic. I haven't had any problems with the lead breaking at all. I can advance or retract the lead by turning the bottom of it. So far a much better pencil for not much more money than the Bic.

sawn to rough length
Nothing beats a #4 for paint removal. Cleaning the plane afterwards sucks, but it works great.

had to remove some twist from this one first
scrubbed it close to the gauge lines
Smoothed it down to lines with the 4 1/2.

sawed the knot off first
I didn't want to plane this knot so I sawed it off before I planed it to thickness.

done
I'll sticker these until tomorrow. I kind of have an idea for the box I want but I'm sure it'll evolve as I make it.

accidental woodworker

trivia corner
What was the first sport in which women were invited to compete in at the Olympics?
answer - tennis at the 1900 games in Paris

Morris? Morris Who? (Take 2)

The Furniture Record - Tue, 03/07/2017 - 10:07pm

From Wikipedia:

A Morris chair is an early type of reclining chair. The design was adapted by William Morris’s firm, Morris & Company, from a prototype owned by Ephraim Colman in rural Sussex, England. It was first marketed around 1866.

Morris chairs feature a seat with a reclining back and moderately high armrests, which give the chair an old-style appearance. The characteristic feature of a Morris chair is a hinged back, set between two un-upholstered arms.

Morris chair is a fairly flexible term. If you add the word Style, it becomes positively elastic.

Below are two from a recent auction. The first is considered a traditional Morris chair:

Morris Style Reclining Arm Chair

DSC_5577

This lot has sold for $160.

Description:  Circa 1900, mahogany and pine, transitional mission style frame, later paisley upholstered cushions.

For some reason the auctioneer listed this under Furniture – English and Continental.

It has a robust back adjust mechanism:

DSC_5578

Cut by hand of machine?

 

The other is more of the “Mission” or the “Craftsman” Morris chair. This one is listed under Furniture – American:

Morris Style Reclining Arm Chair

DSC_5579

This lot has sold for $80.

Description:  Circa 1900, later blue upholstery, oak frame, adjustable back with iron support bar, raised on shaped feet.

This back adjustment seems a bit less robust:

DSC_5580

Reminds me of a café curtain rod.

 

The content of this blog feels a bit light. I am obligated to add a few more chairs from the same auction. Third up is this chair just ready for you and your designer to make your own:

Queen Anne Wing Back Chair Frame

DSC_5549

This lot has sold for $310.

Description:   18th century frame, oak and other hardwoods, with later front cabriole legs.

One way to get rid of all the vermin in your horsehair stuffing.

DSC_5556

This is not a new frame…

DSC_5557

They haven’t quite found the right look yet,

DSC_5559

but as long as there is wood left, they’ll keep trying.

DSC_5558

This patch/support is actually a wood insert. It would be hard to nail into metal.

 

And one last chair to round things out. Or, in this case, a pair of chairs:

Pair of Transitional Carved Arm Chairs

DSC_5660

This lot has sold for $400.

Description:  Early 20th century, mahogany, floral needlepoint over upholstery, bowed arms terminating in eagle head, legs with acanthus carved knee and ball and claw foot.

One of a pair, the other looks just like it.

What really amused me about these chairs are the carved arms:

DSC_5661

The auctioneer claims they are eagles.

DSC_5662

Who am I to argue?


The Beard is Not Enough

Lost Art Press: Chris Schwarz - Tue, 03/07/2017 - 3:19pm

fro_IMG_7455

So this week I sat down with my image consultant and he had some harsh words for me: “You need a ‘thing’ to set you apart from other woodworking bloggers, podcasters and television personalities.”

I asked: “A thing?”

“Yeah. Charles Brock has that patchwork hat. Roy Underhill has his hat and suspenders. Scott Phillips has his similar hat and suspenders. Norm Abram – tool belt. David Mark has tattoos. Tommy Mac has his muscle shirts., and….”

I say: “I have a beard.”

“Sorry,” he said. “Unless your beard is equal to or greater than Peter Follansbee’s, then it’s just hardscrabble. Plus, he has cornered the market on the tie-dye T-shirt and shorts thing. So don’t even bring those up”

“Ugh,” I said. “What do you recommend?”

“You could wear a cape,” he suggested. “Maybe array tools on the interior?”

I countered. “What if it gets caught in the jointer or the table saw? That could be dangerous.” I paused. “Look, I don’t like to have my face appear on the blog or on video, what about a mask? Like a luchador?”

mask_IMG_7459

The consultant had a good point: “In this day and age, dressing like a Mexican wrestler will get you excoriated by the liberals or deported by the conservatives.”

We locked eyes.

“Fancy wristwatches?”

“Mario Rodriguez.”

“Unusual fingernails?”

“David Charlesworth”

“A vicious temper?”

“I’m not touching that.”

“Large mammaries?”

“Look, I already said I’m not touching those.”

“Copious body hair?”

“Hmmm. How much body hair do you have?” the consultant asked. “Do you have to shave your back?”

“No. I pluck three hairs from my right shoulder,” I said. “Two from my left.”

“A huge afro?”

“Bob Ross.”

“Bob Ross is dead!”

“But Bob Ross’s afro is so awesome it has been retired.”

And that’s where my time was up with the image consultant. His recommendation: Mount a Kickstarter campaign to raise enough money to perform a statically significant survey of what my gimmick should be.

Maybe a huge rodeo belt with a pterodactyl holding a carving gouge….

— Christopher Schwarz


Filed under: Satire, Uncategorized, Yellow Pine Journalism
Categories: Hand Tools

Another Day, Another Stool

Lost Art Press: Chris Schwarz - Tue, 03/07/2017 - 2:42pm

stool2_IMG_7441

I try not to make this blog about personal stuff, but ever since boyhood I’ve tended to fixate on things. It might be an object. It might be a task. But I won’t sleep (literally – ask Lucy) until I scratch that itch.

Today it was this three-legged stool. I woke at 3 a.m. (typical) and began working on the next phase of this design until my wife woke at 5:50 a.m., showered and turned on her hairdryer. Something about her hairdryer puts me back to sleep – it’s why I am still conscious now.

After six hours in the shop – three of it just staring at the stool’s component – this is where I am. I still need to add the chamfers to the seat and clean off all the sawblade marks, but I’m pretty happy with the direction this is headed.

stool2_IMG_7452

The mass of the legs, stretchers and seat are more balanced. I’ve added curves to make the seat less jarring. And the stretchers are now tapered octagons, like the legs.

I might sleep tonight.

— Christopher Schwarz


Filed under: The Anarchist's Design Book, Uncategorized
Categories: Hand Tools

The Bench

Northwest Woodworking - Tue, 03/07/2017 - 12:06pm

I was discussing our work with high school students at the bench. Winoregon.org is our non-profit to help fund these efforts. In my chat with a representative from one of the largest construction firms in the City, I mentioned that we help our students bridge the gap between their academic life and the real world. We do this by building furniture at the bench.

He asked me what The Bench was? An organization, another non-profit? I said no. The bench is both a reality and a concept. It is the place where the work gets built in my shop. It is the center of the universe in every furniture maker’s shop. Here it gets done right, here it gets fitted properly. Nothing leaves my bench without my approval.

Yet it is an idea too. It is a sense that working at a furniture maker’s bench yields benefits that cannot be touched or felt except by the maker. Where the brain and my logic work together with my grip and touch to create objects that will have some value in people’s lives.

He probably thought, what a whack job this guy is. No matter, it’s the truth for me. The bench is a firm place as real and rock solid as it comes. The bench is also the place where I go to make some sense for myself in this world. It is the place where I can make a difference.

Join us for some bench time this Spring: The Hand Tool Shop or Cool Projects: Shaker Bench.

 

Hammertime     1-John at his bench

 

 

 

 


Categories: Hand Tools

Router Inlay Class March 26th

Alaska Creative Woodworkers Association - Tue, 03/07/2017 - 9:28am
Join us in a one-day class where you learn how to perform basic inlay techniques using a router and exacto knives.  There will be four designs to choose from including a leaf, an apple, and a few surprises.  Depending on your skill level and time management you will complete one or maybe all four designs.  Plan on bringing a piece of wood (optional) that you can use on a future project, such as box lid, table top, or a case […]

Another Week’s Work Unfolds

Paul Sellers - Tue, 03/07/2017 - 9:01am

Friday 3rd March 2017 So, then, my week came together and I made the final drawings for the next three upcoming projects for woodworkingmasterclasses.com. They are all very different projects with two shorter video series and then the box, which is about 5-part series. One is the one on making the straightedge I mentioned recently and then I …

Read the full post Another Week’s Work Unfolds on Paul Sellers' Blog.

Categories: Hand Tools

2017 Schedule of Events

The Mortise & Tenon Magazine Blog - Tue, 03/07/2017 - 7:42am

 

Below are the events we have scheduled for 2017. If you’d like to take a workshop we’re teaching or chat with us in person, look below to see if you can make it out to any of these events. We hope to see you this year!

 

Center for Furniture Craftsmanship – March 10th Presentation: “Why I Cut the Cord” 

I’ve been invited to present this coming Friday to the Furniture Intensive students at CFC about how pre-industrial methods has informed my furniture making. Read about the school here.

 

Fine Woodworking Live 2017 – April 21st - 23rd – Southbridge, Mass.

Fine Woodworking’s live event. We’ll be there as a vendor. Looks like a great show with top-notch presenters. Visit the official website here.

 

Haystack Mountain School of Crafts – May 6th Workshop: “Introduction to Hand Tool Woodworking”

This is a class offered for local residents to introduce students to the fundamentals of hand tool woodworking. I count it an honor to give back to the community in this way. Read about it here.

 

Handworks 2017 – May 19th - 20th

Handworks needs no introduction. Mike will be there with the entire M&T booth. You can buy mags, DVDs, t-shirts, etc and chat about hand tool woodworking. Unfortunately, I am quite sure I won’t be able to make this one because my third baby will be born right around the event. Talk about bad planning! Visit the website here.

 

Lie-Nielsen Workshop - June 17th - 18th Workshop: “Cut the Cord: Build a Table with Hand Tools”

This is a hand tools meat-and-potatoes kind of class - an introduction to the hand-tool-only approach to building a table. I’ll bring period originals along for students to examine to help inform their working tolerances. The goal is to show how to work with pre-industrial efficiency. Sign-up for the workshop here.

 

Lie-Nielsen Open House – July 7th - 8th

Always a highlight of the year. Come hang out with like-minded hand tool fanatics. Hand tools, Maine, lobster and beer. No cover charge. What more could you ask for? More info here.

 

Pre-orders for Issue Three Open! – September 1st 

We are shifting the schedule of M&T #3 a bit earlier so that as we begin our twice-a-year schedule, it will be at convenient times of the year. Yes, you heard that right… starting with #3, M&T will be biannual. (Yes, biannual is the right word. You’re thinking of “biennial”.)

 

Issue Three Packing Party – Last Week of September or First Week of October

Come join us for the big packing party for Issue Three! We will be wrapping mags, filling ourselves with delicious food, and communing over craftsmanship. Read about the Issue Two party here. It was such a blast and went off so smooth that we’re doing it again!

 

Fall – The Big “Mystery” Project Yet to be Announced...

Mike and I will be consumed with this project through the fall. We will be talking much about it in the near future.

 

Categories: Hand Tools

2017 Schedule of Events

The Mortise & Tenon Magazine Blog - Tue, 03/07/2017 - 7:42am

 

Below are the events we have scheduled for 2017. If you’d like to take a workshop we’re teaching or chat with us in person, look below to see if you can make it out to any of these events. We hope to see you this year!

 

Center for Furniture Craftsmanship – March 10th Presentation: “Why I Cut the Cord” 

I’ve been invited to present this coming Friday to the Furniture Intensive students at CFC about how pre-industrial methods has informed my furniture making. Read about the school here.

 

Fine Woodworking Live 2017 – April 21st - 23rd – Southbridge, Mass.

Fine Woodworking’s live event. We’ll be there as a vendor. Looks like a great show with top-notch presenters. Visit the official website here.

 

Haystack Mountain School of Crafts – May 6th Workshop: “Introduction to Hand Tool Woodworking”

This is a class offered for local residents to introduce students to the fundamentals of hand tool woodworking. I count it an honor to give back to the community in this way. Read about it here.

 

Handworks 2017 – May 19th - 20th

Handworks needs no introduction. Mike will be there with the entire M&T booth. You can buy mags, DVDs, t-shirts, etc and chat about hand tool woodworking. Unfortunately, I am quite sure I won’t be able to make this one because my third baby will be born right around the event. Talk about bad planning! Visit the website here.

 

Lie-Nielsen Workshop - June 17th - 18th Workshop: “Cut the Cord: Build a Table with Hand Tools”

This is a hand tools meat-and-potatoes kind of class - an introduction to the hand-tool-only approach to building a table. I’ll bring period originals along for students to examine to help inform their working tolerances. The goal is to show how to work with pre-industrial efficiency. Sign-up for the workshop here.

 

Lie-Nielsen Open House – July 7th - 8th

Always a highlight of the year. Come hang out with like-minded hand tool fanatics. Hand tools, Maine, lobster and beer. No cover charge. What more could you ask for? More info here.

 

Pre-orders for Issue Three Open! – September 1st 

We are shifting the schedule of M&T #3 a bit earlier so that as we begin our twice-a-year schedule, it will be at convenient times of the year. Yes, you heard that right… starting with #3, M&T will be biannual. (Yes, biannual is the right word. You’re thinking of “biennial”.)

 

Issue Three Packing Party – Last Week of September or First Week of October

Come join us for the big packing party for Issue Three! We will be wrapping mags, filling ourselves with delicious food, and communing over craftsmanship. Read about the Issue Two party here. It was such a blast and went off so smooth that we’re doing it again!

 

Fall – The Big “Mystery” Project Yet to be Announced...

Mike and I will be consumed with this project through the fall. We will be talking much about it in the near future.

 

Categories: Hand Tools

Wax & Stickers on Saturday

Lost Art Press: Chris Schwarz - Tue, 03/07/2017 - 7:34am

 

lizard_wax1_IMG_3654

Wax for sale (lizard not included).

My daughters will be selling their soft wax and stickers at our storefront on Saturday between 10 a.m. and 5 p.m. We’ll have them set up to take cash, check and major credit cards.

The stickers are $5 for a set of three. Wax is $12 for a 4 ounce tin (or two tins for $20). We’ll also have some wax out for testing if you’d like to give it a try on some sample boards.

Note that this is on Saturday only. Maddy has class on Friday and Katy has other obligations.

— Christopher Schwarz


Filed under: Uncategorized
Categories: Hand Tools

Shipping Update: ‘Roubo on Furniture’ & ‘Roman Workbenches’

Lost Art Press: Chris Schwarz - Tue, 03/07/2017 - 5:30am

r2_blue_twineThis is my mistake. I thought our warehouse had finished shipping all the copies of “With All the Precision Possible: Roubo on Furniture.” In truth, the last of the orders were boxed up yesterday and go out in the mail today.

Apologies for the error. And personal apologies to Meghan Bates, who has been fielding a lot of your questions because of my error.

Your book is on the way. It won’t be long now.

Additionally, some of you have been asking where your copy of “Roman Workbenches” is because our software has reported your order as “fulfilled.” This is a software glitch (Yay! Not my fault). This book is on press now and should be shipped in April.

Thank you all for your patience.

— Christopher Schwarz


Filed under: Uncategorized
Categories: Hand Tools

Pages

Subscribe to Norse Woodsmith aggregator