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The Greenwood Fest is long-sold out, with a waiting list. I heard from Paula Marcoux last night that someone had to cancel, and the next name on the waiting list flipped out –
But there’s still a way to get a big hit of greenwood fun in Plymouth next month. The pre-fest courses are running Tuesday afternoon June 6th to Thursday mid-day June 8th. Due to a cancellation, there’s a space in Jögge Sundqvist’s class “Swedish Slöjd Knife with Birchbark Sheath.” If you’ve not been around Jögge, I can tell you, this class is about much more than making a knife handle & sheath. Working with him is a life-changing experience.
There’s room too in Tim Manney’s Sharpening class – a deceptive class. When we ran it the first time, people were clamoring for more tools to sharpen. It’s a tricky class to convince your family to let you go for a few days, you come home with a bunch of sharp tools – not some flashy woodsy object d’art. BUT…it’s an eye-opener, and forevermore your tools will be honed to a crazy keen edge. Tim is a great, great teacher.
Jane Mickelborough’s Folding Spoon class is the one I would take if I had the time. Jane’s work studying and learning about these historic spoons from Brittany is really inspiring. It’s so different from most of what we see about spoons, but rooted in tradition.
So if you missed out on the festival itself, this is a chance for a 3/4 festival experience There will be 7 classes running at the same time – just like the fest, you stay on site in cabins, all meals included from lunch Tuesday to lunch Thursday. So I think it’s close to 80 people in camp, counting attendees and instructors. That means all the “down” times; before class, during meals, after class in the evenings, you’re part of a huge contingent of like-minded greenwood-ers.
After class on Thursday, you go find some quiet place to digest what you’ve just been through, then that evening make your way to Fuller Craft Museum for the mind-blowing Rhythym & Slöjd performance by Jögge Sundqvist. http://fullercraft.org/event/rhythm-and-slojd/ – the Fuller evening is part of the pre-Fest tuition.
Come join us for the early festival experience.
course descriptions: https://www.greenwoodfest.org/course-details
Min kollega Tomas Karlsson underviser i snikring på bygghantverksprogrammet på Göteborgs universitet. Vi to har i fellesskap utvikla og drive bloggen Høvelbenk der vi har leita fram eldre høvelbenkar i Norden og arbeidd for å spreie den glade bodskapen til våre nordiske snikkarvener og andre interesserte. Tomas har forsvart si licentiatavhandling på Göteborgs universitet om snikring av fyllingsdører; Ramverksdörr – en studie i bänksnickeri. Der har han eit spesielt fokus på tradisjonelle arbeidsmåtar og korleis ein brukar arbeidsbenken i arbeidet. Tomas er såleis av dei fremste i Norden når det gjeld fagkunnskap om arbeidsbenkar i snikkarhandverket. Det er difor ekstra gledeleg at Tomas har teke initiativ til at studentane på bygghantverksprogrammet i Mariestad har bygd nye skottbenkar som skal nyttast i undervisninga i tida framover.Studentane på bygghantverksprogrammet i Mariestad snikrar skottbenk under leiing av Tomas Karlsson og Patrik Jarefjäll. Foto: Tomas Karlsson
Eg har ikkje opplysningar om kva dei har teke utgangspunkt i for utforminga av benkane. Det finnast noko dokumentasjon på skottbenkar i Sverige, men ikkje på langt nær så mykje som det vi har i Noreg. Ut frå biletet over kan det sjå ut som om det er henta inspirasjon frå skottbenkbukkane dei har hatt frå før i Mariestad og også henta inspirasjon frå ulike norske benkar?
|first hiccup and it's a doozy|
|found a longer screw|
|this is a temporary fix|
If any metal workers out there have a fix, give a shout and leave a comment. My thought is that it should be re-threaded for the next size screw up but I don't know how to do that.
|it feels secure|
|my best fix|
|I've already done 3|
|right side shaving|
I flipped the plane over and adjusted the iron parallel to the front of the mouth and I got the same results. The right side would always make a shaving and the left would/wouldn't. This is one series of speed bumps I have never encountered in all the planes I have rehabbed and set up for use.
|my last try|
|thin shaving on the right|
|a little from the middle|
|get thicker on the right and still nothing on the left|
|is the sole twisted?|
|what does the 80 grit runway say?|
|I'd say there isn't any twist|
|double triple checking myself again|
|it's a helicopter blade|
|it isn't rocking no matter where I try it|
The last tool I bought from Patrick Leach was a Stanley 10 1/2 and that had a broken cheek that had been repaired (not mentioned in the write up). Now I have this #2 that can only be used for a paperweight. And an expensive paper weight at that.
I quit the shop after this. I was so damn bummed out by this experience that I didn't belong in it. I know I would have made one mistake after another all day long if I worked on something else. I thought I would finish up watching Richard Maguire's sharpening videos but I fell asleep at my desk. The video played but I don't even remember the opening credits.
How many flowers are stamped on each side of an OREO cookie?
answer - 12 and each one has 4 petals
There are so many more reasons than those I list in this little video. It is THE premier event for Handtool woodworking in the US. If you can get there, get there. You won't be disappointed.
And visit their website for more information www.handworks.co
Don't forget to register online to be eligible for door prizes at the event. You must register before the even and no registration is available at the event. Register on the website.
If you see me there please stop and say hi. I would like to see as many of you there as possible.
One of the primary reasons I decided to expand the book “Roman Workbenches” into a larger text was an unexpected gift from Jennie Alexander that was courtesy of John and Eleanor Kebabian.
The story starts some months ago when Jennie sent me photocopies of some old drawings and asked if I saw anything of interest. After about two seconds I wrote her back with an emphatic “yes.” The photocopies had sent my head reeling.
A few weeks later Jennie sent me a box. I was in Italy at the time, and the delivery person was not too bright. So he left it on top of the air conditioning unit, where it was rained on for several days until I returned.
I found the box in tatters and took it inside the shop, expecting the worst. The box fell apart on the bench and inside was a no-worse-for-the-wear copy of “L’Art du Tourneur Mécanicien” by M. Hulot. It’s a 1775 book about turning and many other aspects of woodworking.
Written about the same time as A.J. Roubo’s “l’Art du menuisier,” it’s in a similar format: giant pages of text followed by gorgeous plates. After browsing through the plates, many looked similar to Roubo’s, but others didn’t. I’ve spent several hours studying the plates and am convinced this book deserves my undivided attention.
Of particular interest are plates 13 and 31, which depict a low staked workbench that is outfitted with a variety of appliances for chairmaking.
So I started isolating all the text that relates to these two plates so I could translate it. (And here I thought my meager French skills would get a rest.) Unlike Roubo, Hulot discusses these two plates in more than a dozen places in the text. This is not going to be easy. But you have to start somewhere.
During one long evening, I translated the section that introduces the bench, which Hulot calls appropriately “a saddle.” Take a look:
IV Description of the Saddle for Planing & Boring & Assembling the Work
FIG. 4, Plate 13, shows a bench type which is called a Saddle for planing/flattening and assembly; That is a piece of oak wood 5 feet long, about 12 to 14 inches wide, and very thick, carried on four feet, R, Y, X, Z, which enter into as many Round holes which have been pierced in the whole of the Saddle AB. The workman has the face, turned towards the head, B, which is a large piece of soft wood, such as alder, and the tail of which forms a flat tenon which passes into a mortise through the saddle; The top [of the head] forms a kind of step, the steps of which are cut into different fences, some at right angles and shallow, to receive the ends of the flat workpieces for planing its sides/edges; The flat stage receives the pieces that are to be planed flat. Other stepped [heads] are horizontally and vertically notched with the shape of a teaspoon to receive the tip of a stick. There are small cuts [or kerfs] that are perpendicular to the round hole [in the head], as seen in the figure. Independent of the tenon which fixes the head H, it rests against the support K, which is also called the crossbar or buttress of the head, and which is a stop at the end and is across the saddle. [It is secured] by two strong wooden dowel pins, [made of a wood] such as ash or dogwood, which pass perpendicularly through the saddle.
When the wood that is to be worked is large and long, we do not rely on the saddle, but we stand it upright. Place the end of the wood in the recess HK formed by the crossbar and the side of the head of the saddle.
I see many long nights of (exciting) translating ahead. I’m fairly certain this bench is another important piece of the puzzle in understanding the low workbench and all the ways it can be used.
— Christopher Schwarz
Filed under: Roman Workbenches
One of the hallmarks of Roubo’s images in L’art du Menuisier was a series of preposterously intricate elevations and schematics for complex pieces of furniture. Both the article of furntiure and its representation are works of art. Such is certainly the case with Plate 260, “Diagrams and Elevations of a Desk With Its Developments.”
Overall the print is in excellent condition, with there being one small crease in one corner and some of the usual oxidation discoloration at the perimeter of the page.
The original illustration and the plate engraving were done by Roubo himself.
If you have ever wanted to own a genuine piece of Rouboiana, this is your chance. I will be selling this print at Handworks on a first-come basis, with terms being cash, check, or Paypal if you have a smart phone and can do that at the time of the transaction.
Thanks to the good work on the press and the bindery, we are going to have about 150 copies of the letterpress version of “Roman Workbenches” to sell in our online store at the end of May 2017.
Yesterday, Megan Fitzpatrick and I repaired all these excess copies, pasting in the two missing lines that were snipped off during the plate-making process. All these copies now need to return to our warehouse in Indianapolis and we need to take care of a few customers who received severely damaged copies.
Then, after we take care of all those details, we will put up the remaining stock for sale in our store at noon Eastern time on Friday, May 26, 2017. The price will be the same as it was for the first batch of books and it will be available for international customers.
We will not have any of these books at Handworks later this month, I’m afraid.
After these books sell out, they are gone. We will not do another run of letterpress copies of this book. So you have 20 days to sell your plasma, etc. I am, however, working on a greatly expanded book on this topic that we will print on our usual offset presses and will include photos and additional research I’ve conducted this year.
— Christopher Schwarz
P.S. Several customers have asked if we will print any books in the future using letterpress. The answer is: I hope so. It has to be the right sort of book, and we’ll have to marshal all the people involved in this project and hope they’ve forgotten what a pain in the crotch mahogany it was.
Filed under: Roman Workbenches
This means one of two things: Either she wants to buy a crappy disposable cabinet made of termite poop, or I get nagged at until I come up with something.
Fortunately, I would like to build a piece like this using some of the techniques in The Anarchist's Design Book by Christopher Schwarz. That means I just move it up in the queue and get it over with.
It's not often that the Frau asks me to build anything that we need anymore. She learned long ago that it could take months, and in the meantime what she wants to store in it lays on the floor driving her nuts. It would be a nice surprise if this was complete by the time she got home from work on Monday.
In order to make this happen, I am going to cheat. I know, I can here you: "There is no cheating in woodworking." Well, there is if you use Leimholz.
She said it doesn't need to be any kind of fine furniture. I even suggested adding a mahogany top, but she thankfully said, "No." Just a plain-Jane basic bookshelf with doors.
I thought out the design in my head in about seven seconds, and did something I rarely do: I drew the cabinet and wrote down a cut list!
So here is my plan:
Get to the Borg on Monday as soon as they open at 9:00 a.m. (Early for Spain), buy everything I need and rush home with the materials in my carrito de la abuelita and knock it together.
|High capacity lumber transport.|
It turns out I have some leftover laminated wood already laying around, so I'll use that. There should be no problem with getting the rest home on the bus.
The idea is that the doors will cover the front of the cabinet, coming even with the top. I haven't decided yet if I will add any molding profiles other than just a small chamfer or roundover to soften the sharp corners. What do you think? Any suggestions?
The Frau said she wants this piece painted, and SHE gets to pick the color. I gues that means no experiments with home made milk paint (thank God!). My plan is for the cabinet to be complete except for paint after one day.
Now that I think about it, I might have time to run to the Borg now, so I can start right away on Monday.
Beer shows up in many accounts of early workshop life. Not only was it an important source of nutrition, it also served as payment for trespasses and a way to mark important days in the shop, such as when an apprentice was promoted to journeyman. Beer also shows up in workshop recipes and for diluting glue. Recently Thomas Lie-Nielsen encountered a use for beer that I hadn’t heard in the […]
by Matthew Dworman pages 32-39 From the November 2016 issue of Popular Woodworking Magazine Hidden compartments – just saying those words puts a smile on the face of most woodworkers. There is something magical about a secret space that reveals itself to only the person who knows about it. Since the origins of furniture, hidden compartments have been used for storing valuables, documents and other important belongings. With modern safes, security […]
The post Art of Concealment – A Table With Hidden Compartments appeared first on Popular Woodworking Magazine.
|I am little flush right now|
|not a toy - this is a fully functional teeny router plane|
|closed and open throat|
|why I got it|
|LV tool buy #2|
|cabinetmakers screwdrivers for screw sizes #4 to #10|
|small Grace screwdrivers|
|tapered bulb shape|
|U shaped tips|
|comes with a burnisher|
|bottom to top #4, #6, and a #8vscrew|
|#2 plane parts out of the citrus bath|
|found the S casting Pat mentioned|
|holding the screws while I wire brushed them|
|the black spots sanded off easily|
|flattening the back|
|back done up to 8K and I still have a burr|
|burr is gone|
|prepping the chipbreaker|
|even side to side|
|needs a bit of shine|
|tote and knob brass caps|
|had to stop here|
|the after pic|
|the brass cleaner|
|used this for years in the kitchen|
|the after pic|
|plane #1 (last thread)|
|leading edge looks like crap|
|checking the iron for twist|
|this tip is not sharpened and is misshaped|
|another problem area|
|marked the area where I can feel a burr|
|sharpened up to 1200 and stropped|
|ready to road test again|
|felt a difference|
|profile turned to liquid fecal matter|
This is as far as I can go with this test piece of wood. I also think that this plane isn't made for 3/4" stock neither. I got the sharp part of the iron figured out and the jamming has me stymied big time. I don't have more stock to sacrifice for testing for I'll put this aside for now. I'll pick this back up later and put a win in my column.
Tomorrow the plan is to finish rehabbing the #2, make a frame for my wife's newly awarded genealogy certificate, and do some work on the bookcase.
Which US President served as a hangman twice?
answer - Grover Cleveland while serving as a sheriff in Buffalo NY in the 1870's
Where’s there’s a will there’s a way and these pictures simply proves it. When you set your mind on a task you can achieve whatever you want.
I hope these pictures bring clarification to my previous post, you can see by removing metal from the top and bottom I was able to bend it without any bulge on the back. The iron now goes all the way into the body of the plane and when extended almost reaches 2″ without flex. This length like I said before will be rarely needed in your normal joinery but if you’re going to produce a moulding plane with 2″ wide sole and you’re going to employ this French build method then you will need an iron of this length.
Next Thursday is my day off work again and I will be heat treating this iron, I am making recordings of the build so stay tuned for those. I think I will replace my own 1/8″ width blade with this one but so far it hasn’t really caused me any concerns and I have dedicated too much time to this build. I really want to get to building these moulding planes so I can move on to building myself a bench. Would you believe it I still haven’t decided on the type of vices I’m going to use. Unbelievable, there is just so many to choose from and I want this bench to be the last bench I’ll ever build so it must do everything I want it to do.
I will be spending all of tomorrow at Haystack Mountain School of Crafts in Deer Isle, Maine teaching a one-day workshop. The class is an intro to hand tools class in which we will be building a small pine box. Depending on experience and comfort level, the students will be joining it with either rabbets and nails or dovetails.
I truly believe that taking on small projects in inexpensive wood is the best way to learn. I’ve probably only ever made a dozen “practice” joints in my life. It always seemed like a better use of my time to make a “practice” project. Small boxes and tables are great for developing your marking, sawing, and planing skills in the context of an actual build.
As a one-day class, it’ll be interested to see how it goes. It’ll be crash course, for sure.
"You can't do people's thinkin' and feelin' for dem Rose. Some folks you ain't neber gonna figure out - you just gots to accept them where they be. Dere ain't no way to get inside a person's head and figure out what makes them be the way they be. You just got to accept them" ~Sarah
I made these cute little dovetail markers just for the Handworks show. They have a 1:6 angle and are made from rippled sycamore and walnut. They are stamped and come in a protective bag.
I've got just 20, so first come first served.
I am sure the list will grow and change over time, but these are the ones I settled on:
- dovetail saw, crosscut backsaw, flush cut saw and fret saw
- #4 bench plane, router plane and fence, shoulder plane
- set of chisels
- small combination square
- hook rule
- eggbeater drill and bits
- marking gauge
- measuring tape
- double-sided diamond stone
- scrapers and burnisher
- mechanical pencils
I had a canvas tool roll and this works well for a spokeshave, chisels, a marking knife and gauge, a screwdriver etc. The mallet can be loose:
I put the smaller tools into the top tray:
A final verdict will have to await field trials but I think this project is a success. At minimal cost, I have a travel toolbox and bench that seems highly functional and versatile. The big issue is working height, because 12" on top of a picnic table is on the high end. If it's too high, I will try it on the seat instead. Another possibility is to use legs and anchor them to the table so they wouldn't tip and slide.
My hope is that others will come up with their versions of a portable workbench and toolbox too. The only other one that I am aware of is the Milkman's workbench that Chris Schwarz built. I don't like it at all, but it does have the advantage of solving the working height problem. You could make a separate toolbox instead of having a single unit like I made. If you got rid of the vises and just made a laminated top I think it could be quite nice.
No Southern-fried Southern boy wants to be called a Yankee, but we share the characteristics of shrewdness and thrift. Thus, each month we include a money-saving tip. It’s OK if you call me “cheap.”
I love my scrollsaw. I’m not completely convinced it loves me, but I’m working to make it more of a friend. Someday, when I have the time, I would like to move up to fretwork and other, more intricate scrollsaw projects.
For now, though, I mostly use it to carve out initials of grandchildren and others I make stools for. And, I can’t say I’m particularly good at it. Therefore, I had to develop techniques for sanding inside lines and curves to fix the problems I create on the scrollsaw.
I use four main tools, three of which are, you guessed it…free! The first is a rasp (not free), and I use mine for the roughest beginning work inside letters.
By the time I get to this stage, I’ve created a panel, sanded close to a final finish, not-so-rough-sawn the letter or letters the stool needs, and I’m really not wanting to have to back up and make a new panel. Therefore, I’m taking no chances that I cut too far or suffer tearout. I’ve tried to fix minor tearout in a damaged letter before. Because it’s a focal point of the stool, the damage is nearly impossible to hide. What rasping I do is performed with a little angle, directing the cut to the middle of the board.
With patience in mind, I turn next to sanding, not being too concerned about how long it takes.
For straight lines, nothing beats a popsicle stick. It’s as flat as you need it to be, narrow enough to fit almost anywhere, and stiff enough to stand up to firm pressure while sanding.
If I need to cover more real estate in a hurry, I make a stick out of plywood. With the panel in a vise, you can even get a two-handed grip on either kind of stick.
Another universal sanding/shaping tool is the disposable foam brush handle. They come in a variety of diameters, so they can fit the broadest to the tightest of curves.
Wrap your sandpaper around and get to work.
Jim Randolph is a veterinarian in Long Beach, Mississippi. His earlier careers as lawn mower, dairy farmer, automobile mechanic, microwave communications electronics instructor and journeyman carpenter all influence his approach to woodworking. His favorite projects are furniture built for his wife, Brenda, and for their children and grandchildren. His and Brenda’s home, nicknamed Sticks-In-The-Mud, is built on pilings (sticks) near the wetlands (mud) on a bayou off Jourdan River. His shop is in the lower level of their home.Questions and comments on woodworking may be written below in the comments section. Questions about pet care should be directed to his blog on pet care, www.MyPetsDoctor.com. We regret that, because of high volume, not all inquiries can be answered personally.
The post Tips from Sticks in the Mud – May 2017 – Tip #2– “Free” Sanding Tools appeared first on Woodworking Blog.
I snuck in a couple hours the other day to flatten the undersides of the two bench top slabs with a foreplane (a #5 with a cambered iron) and fit the legs. The strategy of fabricating the top slabs in halves and surfacing them with the power planer is definitely a winner. I already knew how successful the “David Barron” practice was for the lamination approach.
At this point I am just shy of 20 hours for the two benches. In a couple days I will flatten and trim the tops and drill the holdfast holes and call them done. Temporarily, as I need to install the leg vise and shelf for the one I am donating to the Library of Congress rare book conservation posse. But for demo tables at Handworks, this is as good as I will get.
For this week’s book giveaway I’ve chosen a fun book of kitchen themed woodworking projects: A.J. Hamler’s “The Woodworker’s Kitchen.” Think about it: Where do you spend the most of your time? Well – the shop probably. But, what about the rest of your time? Where do all of your guests end up when you entertain? Probably in the kitchen. Kitchens are the centers of activity in most homes. So […]
Well it’s finally all caught up with me, I’m all burned out. All those waking hours I’ve spent at the bench and now the same thing in my new job my mind and body has said enough. Two whole glorious days off and I managed to do only half an hour of work at the bench, I can barely even muster enough energy to write this post.
What I did for half an hour was correct a mistake I didn’t anticipate, a mistake that could of been avoided had I received the correct information. Going against my own better judgement which is nothing more than pure logic I followed the misgiving of applying incorrect advice. So what am I talking about, I’m referring to the iron I’m making for the router planer I intend to sell.
The first router plane I made which you all saw I used a 1/8″ round iron which bent fairly easily and made a nice tight corner but that diameter iron was only a one off I had. The new stock I bought is 5mm in dia. which I think is better than my initial 3mm one as it’s stronger and has zero flex in it. But trying to bend it to the right angle and have it tucked up inside the plane, well following the advice I was given was just plain and simply wrong.
I knew it wasn’t going to work but hey I’m a woodworker not a metal worker and a metal worker who works metal for a living should know more than me right, well he does but his advice was still wrong and my own gut instinct which has never failed me yet was telling me it was wrong but I still went ahead with it. So as you can see from the picture above the iron does not simply go all the way into the body of the tool and it just looks darn wrong and stupid.
Veritas, Lie Nielson and others either the screw the blade on or weld it to make the iron a 90° angle. Bending it like I did either by hand or by hammering it will not upset the angle to 90°. It took me about 15 mins to figure it out on what to do next. Take a look at the picture below.
Left is the mistake, the middle was a trial and success, the far right is how I achieved it and it’s pretty darn simple. I filed an inset on both sides of the iron, by relieving metal, I’m initially thicknessing it and that’s the key answer. Now I can simply chuck it in the vice and bend it by hand or hammer. I have a puny chinese crap vice and if I were making tools for a living I would buy a good quality vice like Dawn. I will end up buying one soon enough as they do come in handy more times than not. Anyway as you can in the next picture the test iron goes all the way up, well not entirely but a few tweaks would fix these small anomalies.
I’ve been working by hand for so long now that machines have become alien to me and here is the irony. I tried to use my 6″ grinder to grind a bevel and somewhat flatten the bottom of the iron. I’m so unaccustomed to machinery that I made a complete mess of it and almost lost my fingers in the process, another words I had no control of the tool. Many people would cringe at the thought of hacksawing metal or filing it into shape but for me that’s the only way I know how. I have complete control over the tool, I enjoy it but I have control and the key to precision work you must have control and confidence in the tools that you use. I guess if I spent as much time behind a machine as I do with my hand tools I would gain mastery over them, but so far I haven’t seen the need to implement machinery in my life.
I don’t know how long it took me to file the recesses all I know I didn’t break a sweat nor grew tired of it. The process seemed to end all so quickly without a hint of frustration or the risk of personal injury. I didn’t need a special jig and definitely not a machine to do it.
I can definitely understand why people do rely on machines and it’s not just speed of work but to avoid frustrations of poor work like I experienced using machines. They are machinists because that’s what they’ve trained themselves to use and so they’re comfortable using them, while I’m a hand tool user because that’s what I’m trained to use and am comfortable using them. All I’m trying to say is stick with what you know and what you’re comfortable with and your woodworking experience will continue to give you the thrill and pleasure it always has.