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Close Encounter With Albrecht Dürer

Lost Art Press: Chris Schwarz - Thu, 01/25/2018 - 3:59am


Step into Roy Underhill’s bathroom at The Woodwright’s School, and you’ll encounter a poster of Albrecht Dürer’s “Melencolia I,” a puzzling image filled with mysterious symbols and woodworking tools.

Whenever a student goes missing in the bathroom during the classes at Roy’s, it is for one of two reasons: the pork chop sandwich from lunch is troubling their innards, or they are studying “Melencolia I” and have lost track of time in the loo.


If you like Dürer’s work and live in the Midwest, I suggest you close your laptop, get in your car and drive to Cincinnati before Feb. 11, 2018, to visit the Cincinnati Art Museum’s exhibit ”Albrecht Dürer: The Age of Reformation and Renaissance.” Admission is free. Parking is free.

The exhibit tracks the progression of Dürer’s work using dozens of original prints he created using engraving, etching and drypoint. And the museum supplies magnifying glasses so you can view every stroke and get within about 1” of the original works.

This was the first time I ever got to see an actual print of “Melencolia I.” Like always, seeing the original is much different than seeing it on screen. The texture of the paper, the resolution of each line, even the physical edges of the image stir up a wilder set of feelings than pixels.

It was great to see the square and straightedge, both of which I’ve built many times for myself and customers. (Free plans for the square are here.)


I also spent some time hunting down other woodworking and tool images in the prints. One of the prints, “Sojourn of the Holy Family in Egypt” (1501-1502), depicts a sawbench much like the one recovered from the Mary Rose shipwreck. And it features a birdsmouth or ripping notch. That might be the earliest depiction of the birdsmouth I am aware of.


On the more gruesome side of things, there’s “Martyrdom of the 10,000” (1496-1497) in which someone is boring out the eye of a bishop with an auger. This image sent me scurrying to my archive of images. Somewhere in there is an image that Jeff Burks dug up that shows the eyeworker alone, separate from the chaotic scene.

My favorite part of the exhibit was an excerpt from the colaphon of the book “Life of the Virgin.” I wish we could print this inside all our books, instead of the dry copyright notice.

Woe to thee, fraudster and thief
of someone else’s labors and
invention, let thou not even think
of laying thy impertinent hands
on this work. For let me tell thee
that Maximilian, the most glorious
emperor of the Holy Roman Empire,
granted us the privilege that no one
might print copies of these pictures,
and that no such prints might be sold
within the imperial domains. But
should thou still transgress, whether
out of disregard or criminal avarice,
be assured that after confiscation
of thy property the severest penalties
shall follow.

— Christopher Schwarz, editor, Lost Art Press
Personal site: christophermschwarz.com


Categories: Hand Tools

Lay Out a Bank of Drawers Using Progressive Extension

Lost Art Press: Chris Schwarz - Thu, 01/25/2018 - 3:36am

This is what we are going to arrive at.

This is an excerpt from “By Hound and Eye” by Geo. R. Walker and Jim Tolpin; illustrated by Andrea Love.


The height of the face changes in a progression equal to the size of the blades, which are called “shadows” when included in the face height.


Start by stepping out the two intervening blades plus three shadow blades.


Divide the remaining space into three parts – the primary drawer height.


Lay out the first face plus one intervening blade.


Lay out the second face increased in height by a blade. The space left over is the third face.

Meghan Bates


Categories: Hand Tools

"I talk about the gods, I am an atheist. But I am an artist too, and therefore a liar. Distrust..."

Giant Cypress - Thu, 01/25/2018 - 3:08am
“I talk about the gods, I am an atheist. But I am an artist too, and therefore a liar. Distrust everything I say. I am telling the truth.”

- Ursula K. Le Guin (1929-2018), in the introduction to The Left Hand of Darkness. I wonder if Christopher Schwarz had this percolating in his subconscious when he wrote “Disobey me.”

I'm this close......

Accidental Woodworker - Thu, 01/25/2018 - 12:26am
......mental pic of thumb and forefinger being squished together. I still have neither the #4 or the #6 done. I am oh so close, but still no dancing in the streets. It is looking like it will be a few more days before they are done.  Sanding both planes with 400 and 600 grit is taking longer than I anticipated. But that is all that is needed to be completed on the #6.

The #4 needs that, and the finish applied to the tote and knob, and some more sanding action on the lever cap followed by buffing. The iron for the #4 is toast. I spent a little time trying to get the chipbreaker to lay flat on the back of it and I couldn't get it. The chipbreaker is good and I can use that but I'll have to use one of my spare #4 irons on this plane.

#4 tote
I got 3 coats brushed on this last night before supper and before I finally hit the rack. The crack didn't disappear but the shellac toned down the whiteness of the line.

more noticeable on this side
Not perfect but acceptable. I just may have to elevate the status of this plane to a user vice a parts plane.

putting the yoke back on the #4
I read a blog on restoring  planes where they removed the lateral adjust lever.  He filed the back side of the pin that is peened. The installation just said to peen the pin again. No pics or any verbiage in explanation of removing or putting it back. For now I'll stick with just removing the yoke. That is easy for me to do both ways. But having the lateral adjust off would make sanding the frog face easier to do.

the ubiquitous blurry pic
I tried to sand this but the paper ripped because there is a big burr. This being brass, I thought I could sand it out but that didn't happen with 320 grit.

tried out my new files
I used 3 flat files and all 3 filed ok. I bought these mostly for the non flat ones for shaping in my upcoming class.

trimmed my 3 new sanding blocks
my biggest sanding block
I am thinking of putting this tote and a front spare tall knob on this. I also think it would benefit from some kind of holding thing to secure the sandpaper too. I won't put any cork on this until I make up mind on how to do this.

ready to start sanding
The plan is to use the big one on the #6 and the smaller on the #4.

gave me the willies
I tried sanding this on the bench but that wasn't working. I couldn't maintain control of the sanding block and the plane at the same time. Clamping this in the vice was giving me cold sweats. There is an incredibly super fine line between clamping this and saying 'aw shit, I broke it'. I sanded the sole with 400 and 600 grit and took it out of the vise.

smaller sanding block on the sides
 This is was how I spent the majority of my time in the shop tonight. Sanding can't be made glamorous with the written word nor can it be enhanced with pics. Doing the sides is easier than doing the sole but I'm thinking of making a jig for this. It's something to think about that would make the sanding easier and a bit more secure.

2 sprayed coats of shellac
I have a couple of cans of shellac and before they go bad I want use them up as I can. I will spray two more coats on theses and call it done.

knob is looking real good
The plane collector uses lacquer because he said that is what Stanley used. I like shellac as being friendlier to use. I don't have a lot of experience with lacquer. They last time I used spray lacquer in the basement it stunk up the whole house.  Shellac smells medicinal.

accidental woodworker

trivia corner
Did you know that a standard credit card is 3 3/8 inches by 2 1/8 inches?

It Starts With A Tree

Doug Berch - Wed, 01/24/2018 - 10:17pm

Future Cherry Dulcimers

I’ve taken some wood down from the attic and have been truing it up for resawing. I true up wood with hand planes. I get a good work out, make lots of shavings, and enjoy the smell of freshly planed wood.

It is easy to disassociate materials from their source. When eating a hamburger one usually does not think of the cow from which it came. The same thing can happen with wood; one can forget it was once part of a tree.

One of the reasons I enjoy working wood with hand tools is the sense intimacy with the timber I am working. Each piece of wood and process of working it is unique. As a luthier I feel I have a better understanding of the structural and acoustic potential of wood as I work it by hand.

The cherry billet in the photograph still has bark on what had been the outside of the tree. This piece comes from a board that was originally about 12 feet long, perfectly quartered, and rough sawn. I made a few cherry dulcimers from this board several years ago. This last remaining piece has a few flaws I need to work around but most likely there is enough for a dulcimer or two in there.


Doug Berch - Dulcimer Maker And Musician

Categories: Luthiery

Issue Four T.O.C. – Examination of an English Walnut Kneehole Desk

The Mortise & Tenon Magazine Blog - Wed, 01/24/2018 - 2:25pm

Every weekday until the February 1st opening of Issue Four pre-orders, we will be announcing one article from the table of contents here on the blog. If you have yet to sign up for a yearly subscription, you can do so here.

Every issue we are committed to providing a thorough close-up insider view into a piece of pre-industrial furniture. These photo essays focus on showing tool marks and construction evidence because we believe seeing typical hand tool surfaces is one the most valuable ways we can learn about period craftsmanship.

We’re excited to share this English walnut kneehole desk with you readers in Issue Four because it is so unbelievably rife with the artisan’s fingerprints. While it has an elegant face, the interior reveals that this piece was made with practicality at foremost importance. Did you ever hear anyone say that English cabinetwork was more refined than American work? While there may be truth in that statement, this piece disagrees. But don’t take my word for it… look for yourself.


You can reserve your copy of Issue Four here.


Categories: Hand Tools

WATCH: Interview with Wendell Castle

Popular Woodworking Editors Blog - Wed, 01/24/2018 - 8:31am

Wendell Castle, the father of the art furniture movement, died Saturday at age 85. Many are mourning the loss of an innovative mind that brought art furniture to the mind of the masses. In 2016, we documented an interview with Oscar Fitzgerald and Wendell. There are many insights to glean, please enjoy this video on YouTube Live this afternoon. Hop over to the live stream HERE.  Purchase the DVD or video download here. […]

The post WATCH: Interview with Wendell Castle appeared first on Popular Woodworking Magazine.

Categories: General Woodworking

Barn Workshop – Historic Finishing

The Barn on White Run - Wed, 01/24/2018 - 5:13am

April 26-28 Historic Finishing – My own long-time favorite, we will spend three days reflecting on, and enacting, my “Six Rules For Perfect Finishing” in the historic tradition of spirit and wax coatings.  Each participant may bring a small finishing project with them, but I have found that invitation to have erratic responses so the workshop will focus on creating numerous sample boards to keep in your personal collections.  Tuition $375.


The complete 2018 Barn workshop schedule:

Historic Finishing  April 26-28, $375

Making A Petite Dovetail Saw June 8-10, $400

Boullework Marquetry  July 13-15, $375

Knotwork Banding Inlay  August 10-12, $375

Build A Classic Workbench  September 3-7, $950


If any of these interest you, contact me here.

"I think it is incumbent on all human beings to oppose injustice in every form."

Giant Cypress - Wed, 01/24/2018 - 5:08am
“I think it is incumbent on all human beings to oppose injustice in every form.”


Hugh Masekela, 1939-2018

Yellow Glue & its Weird Superpowers

Chris Schwarz's Pop Wood Blog - Wed, 01/24/2018 - 4:31am

A friend in Utah needed a new kitchen and interviewed some cabinetmakers to do the job. My friend wanted dovetailed drawers, but one cabinetmaker said he had “something better.” What could be better? “It’s glue and super-high clamp pressure,” the cabinetmaker said. If you apply enough pressure, he said, the joint will be so strong that the wood will fail before the glue. So no joinery. Just glue and clamp […]

The post Yellow Glue & its Weird Superpowers appeared first on Popular Woodworking Magazine.

Categories: Hand Tools

(time flies) 2nd posting......

Accidental Woodworker - Wed, 01/24/2018 - 12:30am
I made a pit stop on the way home to get some soup. Shaws has it on sale for 99 cents a can down from the regular price of $3.49. The catch is there is a limit of 4 cans so I've been stopping every night and picking up 4. Did that tonight and still got to the shop before 1600. Before I knew it Mickey's big hand was almost on 12 with the little one on 5. I felt like I just got there and I didn't think I got anything accomplished.

#6 is almost done
I sanded the paint off of the frog seat.

sanded the paint around the mouth off
I could put the #6 back together as it is now and call it done. This plane is used for flattening stock so it won't get a lot of regular use. But I want to avoid having a different look with my planes. Regardless of their usage or function, I want them all to at least look the same. This will be getting the sanding treatment up to 600 grit before I put it back together.

time to get some more sanding blocks ready
I left this clamped since saturday and I made up what I needed to sand the the #6 and the #4. I glued them and they will be ready to use tomorrow.

cleaned the #4 with Acetone
I had already cleaned this plane 3 times with degreaser and I couldn't believe how dirty the rag got with the acetone. I had lightly steel wooled the plane and the letters and numbers came out light again. I don't know if you can paint over japanning but I'm going to find out.

All the screws etc for the #4 are cleaned, oiled, and ready to go. What's left is the lever cap, the brass adjuster knob, and tote/knob shellacing. I'll work on that while the paint dries on the plane.

doesn't even look like I had painted it
There isn't any bare metal showing but the steel wool knocked back a lot of the paint that was there. You can see the lettering on the heel is decidedly lighter then the areas around it.

white rouge
 According to my research the white rouge has some cutting action and will remove scratches. It didn't remove the ones I have on the lever cap. It also didn't wow me with the shine level.

better than the brown stuff
It does seem to be a little shinier than what I got with the brown rouge. I think I might get the Harbor Freight buffer for $45.

this sucks
Holding the drill on and using my other hand to buff the lever cap was doable but awkward. I would rather buff with two hands holding the lever cap. The HF buffer is 1/2 HP and has two wheels that turn at 3400RPM. I don't think the drill develops sufficient speed to buff adequately.

#4 lever sanded lightly with 320 grit
Given a choice between patina or shine and I will opt for the shine. Using a sanding block is hands down the way to sand this. I have done all the previous ones by hand but no more. I'll be using a sanding block from now on.

#4 brass adjuster knob - before
partial after pic
I cleaned the knob with degreaser and a wire brush and I got a pretty decent shine with it.

sanded the  inside of the knob
This knob looks damn good and I still have to use Bar Keeps Best Friend on it yet. The only hold up on getting the #4 done is paint drying and getting some shellac on the knob and tote.

Sorry abut the blog being published as I wrote it. I hadn't finished writing it yet and noticed that it had been put on line already. I don't know how much of it got published but I reverted it back to a draft so I could complete it. I changed the title and published it on it's intended day, the 24th.

accidental woodworker

trivia corner
Did you know that Naomi Parker Fraley was the original model for Rosie the Riveter? (she passed on saturday at age 96)

The rest of the Greenwood Fest lineup for 2018

Peter Follansbee, joiner's notes - Tue, 01/23/2018 - 6:23pm

I’m back from New York and off to Williamsburg. I’ll be at their Woodworking conference through Sunday, then back home here Monday or Tuesday. Then Pret & Paula get back from their jaunt just in time for tickets to Greenwood Fest to go on sale February 2nd, 10 AM eastern time.  https://www.greenwoodfest.org/

You can read what we have so far on that site. Earlier I mentioned we’re having 2 new instructors this time – Curtis Buchanan https://pfollansbee.wordpress.com/2017/12/27/greenwood-fest-instructor-curtis-buchanan/ and Robin Wood https://pfollansbee.wordpress.com/2017/12/21/greenwood-fest-2018-instructor-robin-wood/ The rest of the lineup are regulars, or now-regulars for Greenwood Fest.

The Spoon Carving Triumvirate.

JoJo Wood – I’d hate to think of this program without JoJo. https://www.instagram.com/jojowoodcraft/


Barn the Spoon – a great addition last year and we’re thrilled to have him back again. https://www.instagram.com/barnthespoon/

And last but not least – Jane Mickelborough. https://www.instagram.com/janespoons/ Her folding spoons (and fan birds) were a huge hit. She’ll be doing some of both this time.


Then, Dave Fisher. There is no link to Dave Fisher. I’m not saying anything else.

Dave Fisher on a bowl horse

Darrick Sanderson is a huge hit. https://www.instagram.com/dcsandersoninc/ Hewn or turned bowls, spoons like crazy, non-stop carving/cutting/slicing.



The whirwind-around-the-world slöjd man Jögge Sundqvist.  https://www.instagram.com/surolle/ Where is he? Japan, Australia, Sweden, Minnesota – well, in June he’ll be in Pinewoods with us. Here he is doing his Jimi Hendrix thing. 

Jogge_behind his back653.jpg


Not only do we have the now-old man of Windsor chairs, Curtis, but once again we have Pete Galbert coming back this year. Great chairs, great book, great teacher. https://www.instagram.com/petergalbert/


We just spent a weekend with Tim Manney making all edges sharp. Chair making, tool making, sharpening – Tim covers a lot of ground. https://www.instagram.com/tim.manney/

I’ll do a separate post about Pen Austin next week – she does amazing work with finishes, surfaces, etc. Often working with lime plaster, at the Fest she’s going to show us about using milk paint like you’ve never seen before. Even this crowd that is milk-paint savvy. Pen was there the day we launched Plymouth CRAFT but it’s taken until now for us to get her into our orbit – she’s very much in demand for restoration work. Here is a photo of some of her faux painting on columns for a Shakespeare Company’s stage.

pen & marbled paint


I’ll probably do an oak carving session during the Fest, and hopefully Paula will do another cooking w/fire class…we’ll figure those details out during February.

Tools for Asgers sloyd class

Mulesaw - Tue, 01/23/2018 - 5:07pm
I talked to Asger on the phone today, and he told me enthusiastic that he had had his first lessons in sloyd.
He told me that they had to choose between 3 different projects which was OK, but what he didn't think was OK was the tools that were available to them.

It is not that Asger is a tool snob who can only use a Lie Nielsen plane or a Two Lawyers backsaw etc.
But he expects that a chisel is sharp, a plane is sharp and a saw should surprisingly also be sharp in his opinion.
He was really frustrated discovering that the tools were all dull.

I know that the budget for classes such as sloyd is so limited that it is hard to do anything. The allowance per student doesn't really leave room for investment in any new tools.
And the teachers are only given a bare minimum of hours for preparation, and those are not nearly enough to cover a sharpening of all the chisels or planes etc.
It annoys me, because I know that most schools will still spend an enormous amount of money each year on IT equipment such as new computers or printers etc. And no one expect a computer to hold up for as long as a chisel in matter of years.

I told Asger that if he wanted to, I would be happy to find some tools that he could bring with him to use in the sloyd class. A couple of chisels, a small plane and a saw that actually is sharp.
He wasn't sure about it, but he thought that he would ask the teacher if she was OK with it.

He was worried that the other kids might suddenly become aware of how crappy the tools of the school were, if they suddenly tried a sharp chisel, and then they would perhaps prefer to borrow his tools instead.
A sad thing about crappy tools in such a place is that it might cause some of the kids to become disappointed with woodworking, because the result in no way resembles the effort put into the project by them.
If they try really hard, but are held back due to dull tools, the final result might not be as fine as they would have liked it to be, and that could potentially keep them from thinking that woodworking or any other handmade activity is fun.

I would hate if the teacher felt that sending tools with Asger was a critique of her job, because that is not my intention.

I know that in regular class each kid is expected to bring his/her own tools like pencils and rulers etc. And in physical education it is the same, each kid brings their own clothes and shoes etc.
But could it be viewed upon as being the same for sloyd? and how about needlework or home economics etc.?

So what do you think, would it be OK to bring your own tools to school, or is it a bad idea?

Categories: Hand Tools

New year, new planes, new shows

The Black Dog's Woodshop - Tue, 01/23/2018 - 2:47pm

For the first two and a half years of business, I've concentrated on the core of of the three essential bench planes--the jack plane, the try plane, and the coffin smoother. This year, I'm starting to expand my offerings. The first of these is the rabbet plane, pictured above.

My rabbet planes are bedded at 50° and can be ordered either square or skewed. A nominal 1" iron is standard, but if you are looking for a different width, just ask. These planes have custom irons that are 5/32" thick--a bit thicker than what most other makers offer. They have a very solid feel in the cut.

I'm also adding a new bench plane, which I call the Mini-Smoother.

I jokingly refer to this plane as the cure for the common block plane, because I built the first version of this plane about four years ago, and I haven't used my block plane since. The design has been honed a couple times, and I think it's just about perfect now. The plane is comfortable to use with one hand or two. It has a 1-1/4" double iron and is 5-1/4" long.

This is just the beginning. In the near future, I plan to roll out a number of new planes. Moving fillisters will be next, followed by dado planes, and then we'll see what's next. Toothing planes? Miter planes? Stay tuned.

I'll be doing a couple Lie-Nielsen Hand Tool Events this spring. This weekend, January 26-27, I'll be at the Chicago School of Woodworking. In March, I'll be at Urban Specialty Woods in Huntington, NY. If you're in the neighborhood, stop by, say hi, and try some wooden planes!

Finally, a reminder: If you'd like to see more regular photos from my planemaking biz, check out my Instagram feed.
Categories: Hand Tools

Mid-Winter Sale! 15% Off All Guitars!

Brokeoff Mountain Luthierie - Tue, 01/23/2018 - 10:26am

Don't miss out!

This sale will continue until Tuesday, March 20, 2018!

Go to Guitars Currently Available to see the latest inventory!
Categories: Luthiery

A New and Practical Chisel/Tool Rack

Brokeoff Mountain Luthierie - Tue, 01/23/2018 - 10:13am
Woodworkers are pack rats of the highest order.

Scott Landis, The Workshop Book, 1991

I am in the middle of making two classical guitars, one is a close copy of a 1926 Domingo Esteso, the other one a close copy of Andres Segovia's famous 1912 Manuel Ramirez guitar. The Esteso style has a 640mm string length on a body smaller than the Ramirez style, almost three quarters of an inch shorter, and the Ramirez is fairly textbook, meaning that from the outside it looks like a 1912 Ramirez guitar. The inside is braced a little differently than the original, but the "fan" pattern of bracing was in use in the Ramirez shop at the time.

 The Esteso style guitar...

The 1912 Ramirez style guitar...

In all of this chaos of scraping down bindings, glueing on fret boards, making bridges, etc., I realized that I needed to rehabilitate my chisel-tool rack. There were chisels and pliers on the floor of the studio because there was no place to put them, a problem that needed a remedy.

The original rack was patterned after a French tool rack that was popular a few years ago, it worked but my tool collection had grown. You can read about the old rack elsewhere in this blog.

My solution to the problem was to add an extra rack on the bottom of the backing board.

The backing board is a piece of 1x12 pine that is 36 inches long.

The top rack is a piece of pine that I ripped to 2 7/8" wide, the bottom rack was ripped to 3 3/4" wide.  Both racks are attached with screws to the outside edges of the backing board, the different widths of the rack provide an offset from the rows of tools. When you remove a tool on the bottom rack the tool's handle and your hand have some clearance from the tools in the upper rack.

The holes are set 2 inches on center, this gave me 17 holes for each rack, the holes are 5/8" in diameter and were drilled on a drill press. The slots are about a 1/4" wide and cut with the help of the miter gauge on my table saw.

Simple and practical.

It holds most of the tools used on a daily at the ready. Does it need to be bigger? Yes, but I will deal with that when I complete my new workshop, for now this rack is good enough!

If you are wondering why there are three empty spots in the lower tool rack, it is because I haven't re-handled three new chisels I purchased from Luthier's Mercantile Inc., the empty space in the upper rack is for a pair of vintage PEXTO dividers that must have been on the workbench when I took the photo.

Here is a YouTube video of Kyle Throw, a young composer/classical guitarist, in Denver, Colorado, playing a spruce/granadillo guitar that I made for him! Enjoy!

Categories: Luthiery

Issue Four T.O.C. – “The Artisan’s Guide to Pre-industrial Table Construction”

The Mortise & Tenon Magazine Blog - Tue, 01/23/2018 - 9:49am

Every weekday until the February 1st opening of Issue Four pre-orders, we will be announcing one article from the table of contents here on the blog. If you have yet to sign up for a yearly subscription, you can do so here.

It has become clear to me that the greatest inefficiency in our furniture making has nothing to do with the machines vs. hand tools discussion and everything to do with ill-considered workflow. Because this has proved to be such a valuable insight to my own shop practice, I decided to tackle this topic head on in Issue Four. In this article, I expand on the “Tables” video by breaking table construction down into a logical, systematic order.

Consider this a pocket guide intended to give readers a holistic view of making tables using only hand tools. The backbone of this piece is showing how essential reference faces are to work efficiently. I cover rough stock prep, drawbore mortise-and-tenon joinery, tapering legs, assembly, table tops, breadboard ends, and leveling the feet.

You don’t have time to piddle and neither do I. When our daily responsibilities are done and we retreat to our workshops to put in another hour on that end table, we want to make the most of our time. I hope this article proves to be an inspiration, making your shop time more efficient and therefore more enjoyable. 

- Joshua Klein 

You can reserve your copy of Issue Four here.


Categories: Hand Tools

The Long Way Around: Finally Calling Your Long Term Project “Done”

Popular Woodworking Editors Blog - Tue, 01/23/2018 - 8:29am
entryway table

There’s something to be said for just finishing a long term project. I’ve been working on a furniture build off and on since I first started at PW a few years ago. It was to be an entryway table that doubled as a place to store shoes and custom built to fit under a window yet over a heat return. I had grand plans for the piece that were above […]

The post The Long Way Around: Finally Calling Your Long Term Project “Done” appeared first on Popular Woodworking Magazine.

Categories: General Woodworking

Why We’re Here: Introducing Andrew Zoellner

Popular Woodworking Editors Blog - Tue, 01/23/2018 - 7:04am

There was a time, in the not so distant past, when we made more stuff. Things were less disposable – we fixed our possessions when they broke. The furniture, dishes and home goods we kept in our lives had stories behind them and were built with purpose. I believe we’ve lost much of that handmade magic. That’s why I joined this team as the new editor in January. I want […]

The post Why We’re Here: Introducing Andrew Zoellner appeared first on Popular Woodworking Magazine.

Categories: General Woodworking

Product Video: Rikon 14 inch Deluxe Bandsaw 10-326

Highland Woodworking - Tue, 01/23/2018 - 7:00am

If you are looking to upgrade your shop, we’ve got the perfect tool for you. The Rikon 14 inch Deluxe Bandsaw 10-326 is a great choice for all kinds of woodworkers. Furniture makers will like the large 13″ resawing capacity and cutting accuracy. Woodturners will like the stability the large table provides when roughing bowl blanks. You can even cut non-ferrous metals on low speed.

In the video below, Justin Moon takes a closer look at the Rikon 10-326. Watch the video to learn the basics for setting up and using this workhorse tool in your own shop.

The post Product Video: Rikon 14 inch Deluxe Bandsaw 10-326 appeared first on Woodworking Blog.

Categories: General Woodworking


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