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The good news is I now have a super cool shop apron. #8 duck canvas (or 18 ounce canvas) is some seriously stout stuff. It should last a long time.
One bit of feedback I got from Instagram was white is a bold color for a shop apron. I disagree. It is very traditional. At least all of the old pictures of woodworkers from the 19th century show them with a white apron and a tie.
I don't think I'll wear a tie while I work wood, but perhaps the white apron will motivate me to keep it clean.
Since the last post, I just had to sew on the leather straps and join them together somehow. I had to sew six straps to the apron in order to get the straps to cross over the shoulders and a waist strap.
I joined the leather on the cross straps with some Chicago screws I had laying around. I made some extra holes so I could adjust it, but I figure this is my apron, and once it fits, it shouldn't need adjusting. The waist strap I joined with two snaps, so it can be easily fixed and unfixed. The waist strap doesn't have to be super tight. I wanted to not have long straps dangling all over the place.
|It should be a good apron.|
|Leather treated with BLO on top, plain untreated veg-tan on the bottom.|
|Treatment consisted in soaking the belts in BLO for 20 minutes or so.|
|I've never actually sewed leather before.|
|Using the Speedy Stitcher.|
|A loose ring keeps everything in place in the back.|
|Snaps are inexpensive, and these ones came with a tool and an anvil.|
|View of my best side.|
I've never really used a shop apron before. Please let me know if you use a shop apron.
The Frau has complained that I always decided to do woodworking while wearing my best clothes. I don't know why, but I've always avoided wearing a shop apron. I guess I'm just too cheap to buy a nice one, and the cheap ones tend to be a distraction.
Unlike this project...
I've never done very much sewing before, and didn't quite know how to go about it, so I did some googling, and came across a post from a sewing blog. It's good to have a place to start. The other place I looked was the shop apron page on Texas Heritage Woodworks site. Jason seems to be making the best shop aprons out there at the moment.
This project seems to be a good one for someone who has never sewn before. It's not too complicated, and has enough hems to make you want to never do another one again.
A sewing machine would make this project very quick and easy, except for the fact that I am using #8 duck canvas (18 oz.) requiring a heavy-duty sewing machine, and I don't have one.
I do have a Speedy Stitcher. I haven't ever really used it, so I suppose it's a great time to learn.
|Working on making some hems with the Speedy Stitcher.|
Next is about two days worth of sewing hems. A professional seamstress I am not.
|After a while, I could finally sort of do it straight.|
|Finished with the hems!|
|Straps soaked in BLO.|
But I hope I don't.
Voy a probar un experimento con este mensaje, y escribo en inglés y español, que estoy aprendiendo porque vivo en España. Te pido disculpas por matar tu idioma. Con suerte, esto me ayudará a aprender, y agradecería algunos comentarios. ¡Viva el Tooleráble!
I built a panel gauge about three years ago that I am very proud of. It only has two problems: one, it has a Chinese style blade that works great, but the mechanism I built to hold it in place is a little finicky, and the tiny ebony wedge I made to hold the blade in place is rolling around in the dust on my shop floor somewhere. The second problem is it is still in Munich with my old shop, and I am in Spain.
Construí un calibrador de panel hace unos tres años que estoy muy orgulloso. Sólo tiene dos problemas: uno, tiene una hoja de estilo chino que functiona muy bien, pero el mechanismo que he construido para manterlo en su lugar es un poco fino, y la pequeña cuña de ébano que hice para sostener la hoja en su lugar está rodando en el polvo en el piso de mi taller en alguna parte. El segunda problema es que todavía está en Múnich con mi antiguo taller, y estoy en España.
@haandkraft on Instagram posted a picture of a vintage panel gauge, and I really liked the design. It has an unusually wide beam which appealed to me.
@haandkraft en Instagram publicó una imagen de un calibrador de panel antiguo, y me gustó mucho el diseño. Tiene un astil anormalmente ancho que me atrajo.
I took a look around, found some suitable scrap, and started building.
Miré a mi alredador, encontré algunos desechos de madera, y comencé a construir.
I found a very nice pear scrap that used to be the leg of a safari chair I made a while back. There was a clear piece at the top that would suit.
Encontré un desecho de pera muy agredable que solía ser la pierna de una silla de safari que hace un tiempo. Había una pieza clara en la parte superior que se adapte.
|Pear scrap. Marking the first cross cut.|
Decidí no apurar este corte, ya que quería usar esto directamente de la sierra. No es perfecto, pero no requiere limpieza, ya que pretendo biselar un ángulo en esto más tarde. No hice eso en este punto porque no estaba seguro exactamente cómo resultaría todo.
|My cross cutting is getting better.|
Marqué el próximo corte que determina la longitud de la culata. Ya no hace el corte, porque la longitud extra de la pierna de una silla ayuda a cortar la mortaja.
|Mark out stock length.|
No tengo aqui un 13mm formón de mortaja. Tengo solo tres formónes, que me queda muy bien. Decidí usar este 13mm formón para cortar la mortaja. A continuación establacer la mortaja con las dimensiones directamente desde el formón.
|It looks like it is about 1/3 of the width of the stock.|
Entonces sólo era cuestión de marcando la longitud de la mortaja. Elegí un longitud apenas un poco más estracha que la anchura del astil.
Tuve un desecho del sicomoro sobra desde el Danés Silla Construyendo Gran Espectáculo que estaba justo a la derecha. Jonas molió la madera que se convirtío en este palo. Él consiguió el registro de un árbol que estaba en el jardín de su papá. De hecho, aquí hay una vieja foto de Jonas en su Moto Guzi con el árbol de sicómoro en el fondo.
|Jonas, his bike, his brother's old girlfriend, and the sycamore tree.|
Aquí esta la organización uso cepillar esta paloa la dimensión correcta. No tengo un banco de trabajo, pero tengo dos caballetes para serrar. Cepillado de esta manera mientras está sentado es bastante cómodo.
Parece ridículo para cepillar con un cepillo grande, un #8 cepillo en este banco pequeño, pero funciona.
Amoldé el astil mejor cortando la mortaja porque no quiero hacer el ruido en un domingo por la noche. El lunes, mientras los vecinos renovaba, yo corté ruidoso.
|I did this just like any other mortise.|
El uso de este formón frágil fue no problema. Solo tuve que evitar curar las fichas como lo haría normalmente. Mientras yo cortara hacia abajo y luego tirara hacia afuera, podría hacer un millón de las mortajas con este formón.
|Just don't pry.|
|See? It worked!|
Sin demasiados problemas, pude deslizar el astil en la culata. La mortaja no tiene que ser un ajuste de pistón. Un poco de imprecisión puede el astil para moverse libremente hacia adelante y hacia atrás.
|The beam fit to the stock.|
Aqui necesito una cuña. Pensé en usar un desecho del ébano que traje aquí, pero decidi usar una pieza de madera más barata. Por suerte, encontré la madera perfecta en el basurero al otro lado de la calle mientras dumpster buceo. ¡Roble!
|Former bits from oak parquet flooring. Perfect wedge stock.|
Imprimí un escaneo de la cuña desde mi calibrador de panel anterior y lo pegué en la madera de la cuña. Serré la forma y la refinando con una formón y una escofina.
|Double sided sticky tape wasn't ideal, but it is what I had.|
Hay probablemente maneras más limpias de hacer esto. Decidí cortar con mi formón pequeña excavar la mortaja para la cuña. Marqué cada lado, y corté desde cada lado.
|Making room for the wedge.|
Con un poco de jugueteo, estaba listo en muy poco tiempo.
|A less artsy shot.|
Entonces corté el desperdicio desde la pierna de la silla de safari.
Pensé en algunas maneras diferentes de hacer un alfiler. Quise endurecer un clavo, pero no tengo un soplete aquí. Se me recomendó usar un tornillo. Ya están endurecidos.
Conduje el tornillo en un desecho de madera así que podría sostenerlo mientras moldeando el punto en mi placa de molienda de diamante.
Redondeé la punta, entonces aplané media la punta en el borde de la placa. Después tuve la forma áspera, Fue por las piedras hasta que quedé satisfecho.
|Shaping a flat on one side.|
Es muy bien.
|Close up of the point.|
I marked a point in the center of the end of the beam, and drilled a pilot hole.
Marqué un punto en el centro del extremo de la astil, y perforé un agujero piloto.
|Starting the hole with an awl.|
Puse el tornillo hasta que la punta salió y se orientó correctamente.
|Actually, this is oriented 180 degrees backwards.|
Una vez que esté feliz con todo en este cortador, voy a ver fuera del final de este tornillo. Mientras tanto, si necesita ser retrocedido para ser ajustado, la cabeza del tornillo vendrá en práctico.
|Making a test mark.|
Funciona muy bien. La estabilidad del haz más ancho hace la diferencia. El pin hace una línea nítida.
|The line is deep, and one-sided.|
Puse el acobado en él puliendo un poco de cera de abejas en él con un pollisoir.
Estoy feliz con cómo resultó esto, y esperamos hacer otro!
My only beef with it for a long time is the smell.
It turns out that BLO isn't boiled at all. Nowadays, raw linseed oil (which works as a finish, but takes weeks to dry making it unhandy) is mass produced by adding metallic chemical drying agents such as manganese and cobalt which through the magic of chemistry makes the linseed oil dry relatively quickly.
A quick internet search produced a Material Safety Data Sheet (MSDS) for some BLO, which includes this:
Effects of Overexposure:
Inhalation: Vapors may cause irritation of the respiratory tract.
Skin: Prolonged or repeated skin contact may cause irritation or dermatitis.
Eyes: Contact with eyes may cause burning and tearing.
Ingestion: Ingestion of large amounts may cause gastrointestinal irritation.
Chronic: Not Available.
Overall, it looks pretty safe. But not totally. I wouldn't drink it.
Then, I was ruined by Dictum. They sell a Swedish cold-bleached linseed oil.
|Linseed oil from Dictum. Also, some great smelling turpentine balsam, and some natural tung oil from Denmark.|
What could go wrong?
The first thing I found was this great YouTube video by Joe Besch:
His website led me to a page on Tad Spurgeon's website. Mr. Spurgeion's passion is oil painting, and shares on his site how oil paints made by the old masters were made from linseed oil.
I figure if this is good enough for the old masters, it should also work for woodworking.
Enough blah-blah. Let's get to work:
First, instead of pressing my own flax seed, I ordered a liter of pure, quality raw linseed oil from El Barco, a local paint shop in Valencia.
|Raw linseed oil.|
I'm not sure, and if you would like to try it, I'm sure you'll have success using only tap water.
|Believe it or not, you can buy sea water at a local grocer for 3.99/liter!|
|beach sand and seawater. And who-knows-what.|
|Filtering the sea water.|
|The clean sand.|
|Next I dumped in my raw linseed oil.|
|Oil on top, the water sank below it, and the sand is on the bottom.|
|After the mixture was shaken. Not stirred.|
Then, let it sit in the sun.
|After an hour.|
If you are wondering what you are looking at, you can clearly see everything settling in layers. The bottom is the sand, and the little black bubble looking things above that is actually clear water. It is heavier than the oil so it sinks to the bottom.
The yellow band is a layer of fat we've just rendered out of the raw linseed oil. I suspect this is the stuff that prevents raw linseed oil from drying quickly.
The brown layer on top is the good stuff.
|The next morning.|
I'll follow Joe Besch's advice and do this process again with my refined oil. I imagine after a couple times of this, I should get some pretty nice quality stuff.
The last step is to let it rest in the sun for some weeks or months, and the yellow color will evaporate away.
For my purposes, it probably doesn't need to be crystal clear, but it will be fun to see how far I can take this.
There is likely to be quite a bit less than one liter of oil after this process, but what I have should be good.
I'm not sure if this will be worth it, but it is fun to see if it will work.
Keep an eye on this blog in the future, I plan to post on the results of this experiment over time.
I have to say that Richard's conclusions about the BU jack are spot on, 100%.
Does this mean I am recanting my endorsement of this tool? Absolutely not.
|This plane is really great at end grain.|
What about the rest?
|Can one joint with this plane?|
|This thing works great shooting end grain. Did I already say that?|
Well, I have to say that while those other planes do better at those tasks than this plane, the BU jack will indeed do them all.
|I almost always do all my jointing with this plane.|
I had noticed that many great woodworkers had recommended "beginner's tool sets" that required many thousands of dollars to fill out before a beginning student could feel like they could do "proper" woodworking.
I thought that was baloney then, and I think it is baloney now. A jack plane (whether BU or bevel down, new or vintage), is a great first tool to get because of the versatility.
Other tools work better for those everyday tasks, but one plane instead of four can be a deal maker for a beginner.
After my exclusive use of this plane for the time I used it, I found out that "plane monogamy" (as Christopher Schwarz puts it), is a wonder.
Face it, there are all kinds of situations where even the largest hand tool shops require making a plane do a bit more than what's in it's name.
To be able to do these amazing tricks with a plane, one really, REALLY needs to know their tool.
I learned that it really is true that you can't buy skill by purchasing a new tool. One should learn how far they can push (get it?) a tool they have before deciding if another is needed in their situation.
|Plus, using the same tool is faster: you already have it out.|
For rough work, I do my best to avoid having to thickness stock very much. My wooden jack plane with an eight inch camber on the blade hogs off wood like crazy and in no time flat. A BU plane is difficult to put a camber on the blade because of the angle of the bed. Taking 1/16" thick or thicker shavings isn't going to happen.
It will take medium sized shavings. If your wood is roughly the thickness you need it, and mostly flat to start with, it is a breeze to bring it to good working dimensions with this plane.
For fine smoothing, again, choose your wood wisely. This plane will easily achieve a finish quality surface without much work. Even without going crazy with steep sharpening angles. Make sure the blade is as sharp as you can get it, and you will be fine. At least until you try to plane against the grain. Even then, lighten the cut a little more and close the adjustable mouth as tight as you can.
For jointing, I find this plane to be long enough to joint nearly anything I can throw at it accurate enough for gluing up a panel. It does take some skill. One will get good at making edges flat eventually with this tool. Just keep checking with a good straight edge, and practice removing the parts that aren't flat. Follow that up with a fine shaving from one end to the other. I find it rare that I need to pull a jointer out for edge jointing anymore.
I finished the shelf, but did not yet finish the drawers that were supposed to be an integral part of the design. It looks a little funny with that one strip of dark wood on the divider. That's because that is the same wood that will be the two drawer fronts. Maybe I can get them in over the next few days. In the meantime, I'll submit this shelf as it was Sunday night when I completed it.
Here are some pics of what I did on Sunday after my last post.
|I have an idea for the divider that requires stopped dadoes. It's only a little more complicated than through dadoes.|
|No router? No problem.|
|Except this part. This part was a little harder.|
|Not perfect, but this will suit just fine.|
|All parts for the carcase are done.|
|I wanted to pre-finish the parts, so before glue-up I burnished all of the pieces,|
|And applied a home-made soap finish.|
|This was actually the only parts I glued. Everything else is only nails.|
|First I lay out the nail holes. I learned the hard way that pencil lines are hard to get off after nailing.|
|Drill pilot holes with a tapered drill bit.|
|Insert the nails,|
|and drive them home.|
|I marked where I wanted the nail holes, then drilled with the tapered bit just until...|
|It starts to poke out the other side. Then...|
|Put the joint together and drill the entire pilot hole.|
|Everything is together surprisingly well!|
|Now it's time for the back. I cut three pieces to length.|
|Then I used my self-made ship lap plane. This thing is coming in way more useful than I ever thought it would.|
|Once the ship laps are done, lay out the pilot holes and drill.|
|All that is left is to trim the top pieces. I used a jack plane and a flat bottomed spokeshave.|
|Finished! At least, as finished as it will get for this Build-Off.|
|It involved a hike.|
|But the view is great!|
Today so far has been a lot of little stuff that you can't really see any progress with.
Hopefully I'll be able to nail the carcass together soon and get started on the drawers.
|I figured out why this toggle doesn't close right - a crack!|
|Easy fix with hide glue. On to regular programming...|
|Working on the spacer.|
|Glued a dark bit to the front.|
|Top rail being rabbeted in.|
|One step closer to glue up!|
|This spacer goes between the two drawers.|
Before just dropping my tools like I usually do, I had to ask myself, "What would Alex do?"
|Trying out the newly sharpened rabbet plane.|
|Oh, this is way easier than doing it with only a saw and a chisel!|
|Saw and chisel for a dado is easy, though.|
|What Would Alex Do?|
|Cross cutting shelves to length.|
|Now they are the right width.|
|Here's a sneak peek of the finished project.|
Time for coffee and pastries.
It's coming along, I should be done in about a week or so. :o)
I did cheat a little, in so far as I smoothed one side of a board I am using and ripping it to width. My excuse is I needed to know the dimensions of this board in order to finish the design of my piece.
Which I am doing in my head and on the fly.
Here is my plan so far:
Basically it will be an open-topped bookshelf, but instead of shelves, there will be a bank of two drawers.
I want it to be a bit modern, as well as a bit rustic. Therefore I have chosen an idea to be angular, with a couple of old Bavarian piercings.
The wood will be pine Leimholz from the home center, which isn't ideal, but it is what is available to me, as well as a rather special board for the drawer fronts.
The drawer fronts are from a board that was sent to me from Australia. Kerryn Carter of @toolschool fame was randomly selected in a giveaway I did on Instagram. The only way I could get her to accept it was to allow her to send me a couple of bits of scrap Australian wood in return.
One of the boards she sent was this really neat flat sawn bit of black wattle. I look forward to seeing what this piece will look like.
|Start of the drawer fronts.|
|My planing setup for this piece.|
|The start of today - nice and clean. Not for long, I fear.|
I want to use a soap finish on the pine parts, and a beeswax finish on the drawer fronts.
Please bear with this post as it is a bit longer than usual. I didn't realize I did so much to my chest since the last post. If you'd like to skip through, this post has three main sections: 1) Layout of the main compartment, 2) Saw racks on the lid, and 3) Painting a bad ass bit of graffiti on the lid.
|The chest now parked in it's spot.|
|First was making new lock pieces for the fall front out of ash.|
Next, I found an old hunk of American birch rolling around since I bought it online years ago. It happened to be the perfect width I needed, and it was flat sawn. If I cut a hunk off the end, I will wind up with two quarter sawn sticks that should be nice and stable.
|Resawing the birch.|
To do this, I left my stock double thickness, and did the piercing to the whole thing at once.
|Drilled 5/8" holes for the hearts.|
|Fret saw the rest away, followed by a little rasp work.|
|Once the piercing is done, resaw to near final thickness.|
|5 point teeth right in the middle of my heart.|
|Two identical hearts.|
|My face planing set up.|
|This works a little better for the final pass.|
|A coat of beeswax and they are done.|
|I think they look cute.|
Hehe, I said "butt."
I used Roman nails on the ends, and cut nails in the middle. This was a lot of trouble, and I would recommend avoiding all that and use wire nails. This till is trapped inside the chest, so it does not need to be particularly strong.
|Someday I might make a new one, but it seems to work.|
|Plane till fit. It is in with a friction fit, no nails to secure it to the chest.|
I like the flexibility of a loose rack rather than individual holes for each tool. To each his own.
My thought with this was to use Spax screws where they would be covered up, and more expensive brass screws where they would show.
|First hanging tool rack completed.|
|Here is a view of the front of the chest from the inside.|
|Second rack installed.|
|Tools in the chest.|
First things first, I wanted a rack for my Dick saw that would allow the bow saw to be mounted behind.
|Clamped and laid out for the cut.|
|Once the saw cuts were made, chisel to depth.|
|Test fit. Perfect!|
|Now to lay out an opening for the latch.|
|Once this is cleaned up, it will be great.|
|This was really pretty simple.|
|Here is a photo of everything installed.|
|Another one with the saws installed.|
The answer, some spacers!
|An easy fix.|
|Here they are installed. Everything fits perfectly now!|
|Notice I have some scrapers in here.|
|The open chest in it's spot.|
|First step, make a template!|
|Second step, mark centers and rough in an oval.|
|Third step, drive some nails (there's particle board under there).|
|Fourth step, tie a string as long as the distance of the long axis of the oval (distance between the two other nails). Put the loops on the top nail.|
|Fifth step, use a pencil to draw where the string crosses the line.|
|This is where we are now. Drive nails at those spots.|
|Sixth step, attach one end of the string to each new nail.|
|Seventh step, trace the oval!|
|Now stick it to the chest...|
|And spray the crap out of it.|
|Haha! This is fun!|
|Now attach the second stencil, and spray.|
If you are still reading this, kudos to you. I wanted a video about ten minutes long, but wound up with one more than twice that. If you're a glutton for punishment, and want to see how I loaded the tools in there, here is a pair of videos.
And part two:
Now you should be mostly caught up. Next post(s) will be about the Wall Shelf Build Off! Or, you could see what I'm doing with the hashtag: #WSBO on Instagram.