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I like this chain trick and how it dealt with an annoying problem with the chain falling into a till. The problem with that is the chain coils in the till and it can catch tools and pull them up as the lid is opened. I think my problem with not finding the chain trick again is I watch and read a lot of things. Just punch in tool chest in on You tube you will get over whelmed with videos. I'll keep looking and I might come across it again.
|after dinner on saturday|
|can you work epoxy with hand tools|
|out of the clamps|
|larger of the tills|
|easily pulled the other sides apart|
|large till dry fitted back together and it slides|
|smaller till survived the planing clean up|
|the two tills won't fit in the big till|
|the larger till|
|squared the frame and took a coffee break|
|the smaller till|
|the two tail sides will be shortened|
|the larger till|
|gluing the bottom on the larger till|
|sawed and squared up the new sides|
|did my layout|
|something was wrong|
|my tail lines slant in the wrong direction|
|sawed a practice one|
|got it finally|
|crappy fit - it's too proud|
|the other end|
|ganged sawed the tails|
|chopping the pins|
|back to my mastery|
|glued up and squared|
|big till fits|
|needs to be cleaned up|
|this would work|
|the marking gauges fit in the bottom|
|won't fit in the top till|
What are the seven seas of the world.
answer - Antarctic, Arctic, Indian, North Pacific, North Atlantic, South Pacific, and South Atlantic
I’m working on getting Barn the Spoon to come back to Plymouth CRAFT’s Greenwood Fest next June. He’s supposed to be checking his schedule & getting back to me…but he’s probably busy turning the world onto spoon carving. I met Barn last summer when I finally made it over to Spoonfest (the inspiration for our Greenwood Fest) which he & Robin Wood started 6 or 7 years ago. Right away, I knew I like Barn. He’s infectious in a good way. Attending one of these festivals is just an incredible experience. Not everyone can make it of course. Barn has you covered. I just saw an announcement about the American version of his English book Spon. Here’s the blurb about the English version. I can’t imagine how different the American version can be – https://barnthespoon.com/courses-books-gifts/spon-learn-to-carve-spoons-with-barn-the-spoon
But it gets better. Barn and his colleagues at the Greenwood Guild run many courses both in London and Bristol, http://thegreenwoodguild.com/ – “but I’m a long way from there, what do I do?” you ask…
Video. You sign up for Barn’s spoon carving online membership. £7 per month, let’s see – equals $9.51 today. http://thegreenwoodguild.com/protected-content-2/?redirect_to=http%3A%2F%2Fthegreenwoodguild.com%2Fonlinemembership-2%2F
Here is a sample video, mostly about an introduction to the knife.
The ever-expanding video library right now has these categories:
The Basics, Tools & Kit, Knife Grips, Axe Work, How to Carve a Spoon, Tool Sharpening, The 16 spoons, Q&A –
I just checked a couple headings – there’s 8 videos under The Basics; under Knife Grips 9 individual videos. 10 under How to Carve a Spoon. You get the idea, lots of information and more all the time.
Some are 4-5 minutes, some in the 20-25 minute range and several are close to an hour long. If you want an immersion experience with spoon carving, and stay at home – this is it. Watch for his Plymouth CRAFT hat…
This past week I spent an hour talking with Asa Christiana for Thursday’s 360 W/ 360 Woodworking podcast. Thanks for your time, Asa. He’s a former editor of Fine Woodworking Magazine (FWW) who is now running his own gig at Christiana Creative, and he’s the author of the new woodworking book “Build Stuff With Wood” (Taunton Press).
In earlier podcasts, we talked about his book, the concept behind the book and about some of the projects in it (podcast #228 and #230).
Wanting to do something different, I recently went out to visit a few antique shops. I discovered many things wonderous and mundane as is typical. These three are not as they seem and I find them worthy of being shared.
First up is a desk with a secret. I haven’t seen one of these in a while. I’m not sure if it is my declining skill in finding them or there just hasn’t been one to be found. Whichever, here is the desk:
The main drawer bottoms are made of several board that over a few hundred years were not dimensionally stable:
An appropriately handsome gallery:
A lot of wood in the drawer fronts:
Nice prospect door:
Nothing within the prospect:
I reached in to see if there were finger notches to push out the letter boxes on either side of the door. I made a discovery:
An it turns out that the letter boxes come out the back:
There is also a less than obvious drawer above the door:
Next is the deception. This deception might have worked better when young and the doors hung true:
The press is actually an armoire:
And now, the mystery. I speak of this large, two piece press, shelves and drawers:
The upper section is shelved:
Now, here’s the mystery: how do you access the area between the shelves and drawers? Storage space was always at a premium. I do not believe that the builder would have left the space unused. There are rough sawn board internally above the drawers so the space was not intended to be unused.
I don’t think the only access to the space is by lifting off the upper section. The carcass is pinned frame and panel construction so nothing comes off or is hinged.
My only conclusion is the access was gained by lifting out the bottom shelves of the upper section, the top over the lower section being left open. Those bottom shelves did seem loose and not part of the carcass. Inconvenient but workable. I didn’t have the time, patience or chutzpah to try so I don’t know.
Then the question is is it a secret or mystery or just something we don’t know because it is not now in common use?
I'm still at a loss for deciding on some kind of a handle for any of the tills. The two small tills (or trays) on the top aren't a high priority. The bottom, big till, needs some kind of handle help. This one has to come out in order to get to the bottom of the toolbox. Miles isn't going to be using this for quite a while so I have time to cook up a few ideas.
|plywood bottom glued on|
|the original toolbox banding|
|two braces done|
|first batter after lunch|
|one thing I didn't want to see|
|change 2 to the bottom|
The second change was gluing the braces down. At first I was going to glue and screw them and changed that to just screwing them. My reasoning was it would easier to replace any one of them if needed. On change 3 I went back to glue and screwing them due to the increased strength. Replacing them is still doable but it will involve some chisel and planing I'm sure.
|made the screw holes before gluing the braces on|
|5 screws per brace, all of them clocked|
|Miles's Stanley 71 box|
|braces are fine|
|figuring the size of the tills|
|stock for the two tills|
|roughly 3/8" above the till|
|till side and bottom|
|single tail tills|
|kept them together|
|chopped the pins|
|nutso glue up|
|the smaller till|
How much does a ten pin bowling pin weigh?
answer - 3 pounds 6 ounces
I have to admit, it was an interesting week on popularwoodworking.com. The contributors to the Shop Blog brought up a few topics that typically stir conversation. On Monday, Nancy Hiller started a three part series on Linoleum countertops. We had at least one commenter ask, “why?”. Nancy shared her point of view about the historical precedent and the vintage style that many seek in remodeling. I have been eyeing Linoleum as […]
Like nearly every other woodworker on the planet, I built a “Dutch” tool chest a few years back; in fact, I built two. I enjoyed both projects, and it was a good chance to work on several different skills: dovetail joinery, dado joinery, mortise and tenon joinery, joinery, joinery, joinery.
One of those chests I gave to my dad, the other I kept. For quite a while my chest was in my garage with most of my woodworking tools placed inside it. It sometimes sat on my bench, or under it, or under my feet. I bumped into it quite often, every now and again I would trip over it; I bent over countless times to get stuff out of it. Eventually, I smartened up, hung a cabinet and some tool racks on the walls near my work area, and put my Dutch tool chest in the attic.
Here is the plain truth that nobody wants to hear: working out of that chests sucked. It wasn’t a size issue; the chest was easily large enough to hold the bulk of my woodworking tools. It is a simple matter of logistics, too much bending over, reaching, stretching, dropping, knuckle banging nonsense.
I found the best way to work out of the chest was to put it on my workbench so that everything was at eye level. The problem there was it got in the way too much. Of course, I could put it back on the floor after I got everything out, but then all of that stuff was on the bench too. And who feels like picking up and putting down a 100 pound + tool chest four or five times? Not me.
I’ve seen videos where the woodworker removed all of the tools he/or she needed at the beginning of the project and put them on the bench. I suppose that works, but then all of the stuff is on the bench and in the way (unless you have a recessed tool tray, but they are bad news, right?)
Okay, I’m complaining, so what solution am I offering? The same one that has been around forever: mount your tools on a wall rack and store them in a wall hung cabinet.
Everything is at eye level, out of the way, easy to see and easy to reach. I’ve said this before and I’ll say it again: since I’ve mounted my tools on the wall I’ve become a more efficient woodworker. AND, my back feels a whole lot better.
So here is my expert advice: If, for some reason, you travel a lot with your woodworking tools, make a tool chest for transportation. And if you are like the overwhelming majority of amateur woodworkers with tools that very rarely leave your work area, mount your stuff on the wall over your bench. Nothing bad is going to happen to your stuff if it’s out in the open. I live in a high humidity area and I’ve had very few rust issues. Keep your tools oiled (as you should be doing anyway) and they’ll be just fine.
So why rehash a topic I know I’ve already covered? Well, a few weeks ago I was getting some things out of the attic and I saw my tool chest sitting on the floor. It still looked pretty good, and it will certainly still hold tools, so I brought it down the stairs, dusted it off, and sold it for a few bucks.
I mentioned a few posts back that I had sold off some tools (mostly duplicates) and how I surprisingly had no sentimental attachment to any of them. But when I sold my Dutch tool chest I very nearly backed out of the deal. My second thoughts didn’t stem from the sell cost, I was just very reluctant to let go of something I had built myself.
I’m hardly a great woodworker, but I put a lot of time and effort into my projects. For whatever it’s worth, and for all of it’s shortcomings, I thought that my tool chest looked great when I finished it. When I brought it down the attic stairs and briefly back into my garage, it seemed to “fit the scene”. But then I remembered why I put it into the attic in the first place, so I put sentimentality aside and did what I know was the right thing to do. And though I pride myself on being a person who makes the right decisions, the right decision in this instance wasn’t an easy one to make.
This post is in great part my celebration of a grand circle of friends who provided me with the wood I needed for the project.
In correspondence with the client for interpreting the c.1820 writing desk, it was clear that he wanted something made in the manner of craft technology of the period, and if at all possible, using wood of the period, or at least very old wood. Since the task of acquiring verifiable 200 year-old mahogany was at best an iffy proposition I simply determined to find the oldest, best wood I could find. In fact I already owned about half the wood necessary for the project thanks to my own acquisitional proclivities.
Among my inventory was a superb piece of dense, lightly figured mahogany I needed for the veneers that would wrap the box of the desk. It was one of the three critical pieces I needed.
The desk writing surface was a second vital component and I sent out requests to everyone I knew who might be able to supply my needs. Before long a UPS truck bearing the piece I needed showed up in the driveway. Then a second. And a third. And a fourth. Sean, Ben, and Alf all contributed spectacular pieces to the venture.
One last look through my inventory uncovered the final piece of this particular puzzle, a wildly figure slab of flame crotch that was needed for the veneers on the outer leg elements.
But that was not the end of it. My friend John brought a small pile of vintage mahogany with him to the next MWTCA gathering, and I took it off his hands. Josh emailed me about a stash he had, and delivered it to me.
Then my orthopedic surgeon told me he had a storage unit full of pre-WWI era lumber including some prized mahogany. I loaded all that was there and headed for home.
In the end I would up with enough vintage, unused dense swietenia to make at least two additional desks and, thanks to the willingness to part with some of their holdings by my circle of friends, I probably will.
Plans done? Check. Wood in-hand? Check. Ready to dive in? Uh-h-h-h-h.
There comes a time in every project with doors and drawers called “pull-gatory,” when the struggle of sticking something onto the front of the beautiful piece you’ve just made grinds progress to a halt. I’ve been there a few times, and I’m there now with a little wall cabinet that I’m in the process of finishing. Time to think about drawer pulls. When I get to this point, I try […]
The fitting of the till went off without any hiccups in spite of me soaking my T-shirt. I'm regretting now that I didn't stop and get the 1/4" birch plywood for the bottom. I could have glued it on tonight and moved on to making the moving tills to put into it. I'll get the plywood first thing in the AM. What kind of sucks is I have three 4' x 4' pieces of underlayment plywood. But this stuff isn't meant to be used for drawer/box bottoms. They will do for cabinet backs but not for my till bottom.
|solid wood bottom|
|cleaning the long sides|
|new piece of plywood|
|left side of the toolbox|
|used my grandson's #3|
|labeled the bottom|
|I planed both sides of the long sides of the toolbox|
|got it fitted|
The size of an egg tells you the minimum required net weight per dozen eggs. It does not refer to the dimensions of an egg or how big it looks. How much does a dozen large eggs weigh?
answer - 24 ounces
I’ve recently come across some more furniture that is similar/the same as in some previous blogs. No one piece is worthy of its own blog but taken as a whole, it’ll do.
In April in There are No Rules, I wrote of this chair with this unique leg layout:
In the past two weeks, I have come across the following:
And in Georgia, I found:
In the metal-for-wood category we have:
Two more Wooton rotary desks:
Another in Monroe, Georgia:
A Hitchcock chair:
A Hitchcock settee?
And a gout rocker:
A Visit to Takuji Matsuda’s Kiribako Shop: Part 2 – Planing and Shooting Platform for Japanese Planes
My friend and neighbor, Takuji Matsuda, enjoys the advantages of a western workbench. You read part one of my workshop tour here. But when it comes to planes, Takuji prefers traditional Japanese planes which are pulled towards the body, whereas the Western plane is pushed away from the user. To help Takuji plane surfaces and true up crosscut end grain while working on a simple table that is devoid of a vise, Mr. […]
When I joined the woodworking team a few of years ago I found myself thumbing through a couple of books in the Furniture Fundamentals series. Exploring those two books,“Chairs & Benches” and “Tables,” – as well as a book that I edited as an addition to the series, “Casework” – made for a great jumping off point for my work with Popular Woodworking. The series offers a lot of great information on how to build some of […]
My recently scheduled barn workshop, “Make A Traditional Workbench,” was mercifully “cancelled” due to the fact that all four of the scheduled registrants notified me they were not coming. No students, no workshop. I say “mercifully” because it would have started the day after Barndaughter’s wedding weekend, and I was already worn to a nub. Nevertheless, my friend John, who participated in the workshop last year and was scheduled to be my teaching assistant for the week, decided to join me anyway for a grand week of man-time in the man cave, a/k/a The Barn.
We had a delightful week of fellowship and working on projects; John concentrated on modifying and tuning up the Moxon-style ripple molding cutting machine while I emphasized bringing my FORP workbench from many years ago closer to completion. In addition, John being a trained theologian and well-engaged citizen of The Republic, our conversations were vibrant and varied, and by the end of the week we were almost sentimental about our shared experiences.
The success of the week can be summarized in the observation that by Friday afternoon it looked like a tool-and-shavings bomb had been detonated there. I’ll recount our adventures in greater detail in coming posts. Stay tuned.
I am making one big till that won't slide even a frog hair. In that big till I am thinking of putting two sliding tills. These will both be about 1/3 the size of the big one. I will experiment with this build as it is virgin territory for me. I can't do anything wrong because it is for my grandson and it will be his first exposure to it.
|my two dovetail saws|
|not a good choice|
Another point I point I thought about was the size of the plate. Most dovetail saws I see have much smaller plates. This was originally a crosscut tenon saw I got in my late 20's that sat around unloved. Turning it into a dovetail saw to use on small stock didn't up it getting more love. Maybe I'll try it to saw a tenon with it which I've not done yet.
I've read that the thinner the stock, one should use a smaller saw with finer teeth. What I found is that I can at least saw dovetails with stock down to 3/8" thick with the LN saw. These aren't the thinnest dovetails I've done neither. That honor goes to a 1/4" thick box that I sawed the dovetails with a Zona saw. Another point I learned is that dovetails are dovetails and the size of them doesn't matter. You still do them all the same way regardless of the size.
|dry looks good|
I got two choices on that. The first is to put it in the interior or apply it to the plywood bottom. If I put it on the bottom I'll have to put at least two so the till won't rock when it is taken out. If it is in the interior it will divide the big till in two. I'm not fond of either choice but I'm not liking the size of that bottom being unsupported further somehow.
|two hairs too long|
|glued up with hide glue|
|this was a PITA|
In target archery, what is the bull's eye worth?
answer - 10 points
My last several posts have been about how the BARN workbench vise chops were designed. In this post, I’ll show you how the CNC was programmed for machining with CAM software. I use RhinoCAM software from MecSoft, but most CAM software programs that can handle basic 3D milling will have similar machining operations. This post is not a primary on CAM or a full explanation of all the settings that […]
The post CAD to CAM to CNC: Part Seven — Programming a CNC for 3D Carving appeared first on Popular Woodworking Magazine.
Push sticks? Yes, that is the topic of today’s blog, and it’s also the answer – Yes! Every woodworker has had a close call (or worse) or knows someone who has. Table saws are dangerous and even the experienced get hurt. But before this devolves into a diatribe about table saw injuries, let’s just agree that it’s better and safer to use push sticks when using a table saw. Two […]
The post Video: How to Choose a Push Stick – Table Saw Safety appeared first on Popular Woodworking Magazine.
As an Atlanta resident and associate at Highland Woodworking, I have the privilege of meeting a lot of woodworker-customer-friends, both hobbyist and professional alike, who are making wonderful things. I’m pleased to introduce you to some of our fellow enthusiasts through this semi-regular dispatch of who’s who in the Highland community. -AH
I met Char in the store when she was signing up for Sabiha Mujtaba’s Fundamentals of Woodworking class, a perennial favorite among woodworkers of all stripes. She told me about some of the projects she had finished for her family and fitting in her woodworking into an already full schedule. She invited me to check out her blog, the Wooden Maven, where I encountered not only an avid woodworker, but an inspiration.
How did you get into woodworking?
I began woodworking soon after undergrad when I moved into my first apartment. There was a platform bed I was interested in purchasing, at the time I could not afford it. I thought, perhaps I could build it. I didn’t have much direction to go on, YouTube was still in its developmental stage. After a few trips back to the furniture store to further inspect the bed, I drew my own plans, borrowed a drill, and purchased a ten dollar battery-powered screwdriver. It took me approximately three months to complete the bed… I believe that experience was the beginning of my love for building furniture. The gratification that came from producing something with my own hands was invigorating. That was back in 2003, since then I’ve been learning everything I can about my hobby-turned-passion.
What are you working on now?
I always like to keep a few projects going at once. Right now I am working on two identical beds. They are twin beds that extend to king size beds. In addition [they have] accessible storage and non-accessible storage underneath. I needed the beds to serve several purposes: a place for my children, room for guests, toy storage, and of course storage for toys that shouldn’t be brought out every day. This was the largest project I constructed from only plywood. I used three-quarter inch PureBond plywood and a Kreg circular saw jig for rip and cross cuts. To give the bed a modern look, I used beadboard wallpaper on the headboard and footboard. To keep the beds as low as possible, I opted for furniture movers strategically placed on the bottom for easy gliding.
Along with the beds, I am putting the finishing touches on a matching children’s fold down desk. I chose pine for this project since it is lighter in weight and an affordable option for a place that will see a lot of use. The tabletop of the desk is covered with a thin polyethylene sheet to make for easy clean-up of paint, markers, or pencil marks. Both projects are paint sprayed with semi-gloss paint and a coat of polyacrylic, a touch of blue paint is used to accent the desk and tie in the bedding colors.
Lastly, I am working on a display case, in which I am using all the skills I learned in Sabiha’s woodworking fundamentals class. The case includes dadoes and the use of an ogee bit. It is made from oak and instead of glass to enclose any special object, I am using plexiglass. It will sit nicely on a mantle for many years to come.
What are your favorite tools? (do you prefer hand tools over power tools, or Japanese saws vs. Western style saws, or an old drill that has been passed down, or a brad nailer that’s just super handy)
I know that I truly enjoy woodworking because I fall in love with almost every new tool I experience. The versatility of each of them and the possibilities are all endless. I recently took a hand plane class at Highland after purchasing my first block plane. I never knew that hand tools could be so involved, it was an eye-opening experience. Hand tools allow you to interact with the wood and have a closeness to it, that you don’t get with power tools. I have to say that hand planes are my favorite for now.
Recently, I started turning and for someone who wants a finished project quickly, turning pens [is] the perfect answer. I do enjoy working with lathes and hope to get more involved in the world of woodturning.
For sentiment’s sake, I still have the little Black+Decker screwdriver I built my very first project with, it no longer works. It is a small reminder from whence I came and a nod to staying humble in my craft.
Amy received her MFA in Creative Writing from San Francisco State University. She is the staff writer at Highland Woodworking. In 2015 she and her dad co-founded Coywolf Woodworks, their hobby shop in North Florida.
In this episode of 360 with 360WoodWorking woodworker, author and woodworking instructor, Dale Barnard, talks about his path to woodworking, his early education and the many ways he’s attempted to schedule classes for his woodworking school in southern Indiana.
Join 360 Woodworking every Thursday for a lively discussion on everything from tools to techniques to wood selection (and more). Glen talks with various guests about all things woodworking and some things that are slightly off topic.